Cover: Salish weaving, weaver’s name unrecorded, collected at Fort Langley between 1828 and 1833. Courtesy of Perth Museum & Art Gallery, Perth & Kinross Council, Scotland – 1978.522

Feb - Mar 2018

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Features in this Issue

Portia Munson: Flood

Disjecta

Takashi Murakami: The Octopus Eats Its Own Leg

Vancouver Art Gallery

Gary Pearson: Short Fictions

Kelowna Art Gallery

The Fabric of Our Land: Salish Weaving

Museum of Anthropology at UBC

Vladimir Kraynyk: Epiphanies

Ian Tan Gallery

Beginning with the Seventies: GLUT

Morris and Helen Belkin Art Gallery

Exploring South Asian Art

Surrey Art Gallery

Magnificent Mountain Imagery

Whyte Museum of the Canadian Rockies

Works of Peter von Tiesenhausen

The Ceramic Art of Thomas Kakinuma

Weldon Butler: Selected Works

G. Gibson Gallery

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Th...

Seattle Art Museum

Close up: Benedict Heywood, New Director Bellevue Arts Museum

Trans Hirstory in 99 Objects

In the Beginning: Minor White’s Oregon Photographs

Portland Art Museum

Real Tears: Christine D’Onofrio

Deluge Contemporary Art

Frida Kahlo: Her Photos

Glenbow

Highlights in this Issue

Mk Guth: Paying Attention

Hallie Ford Museum of Art

Alix Pearlstein: Harem Room-1 And Two Women

Upfor

Justin L’amie: Midnight Florist

PDX Contemporary Art

Vedem: The Underground Magazine Of The Terezin Ghetto

Oregon Jewish Museum and Center for Holocaust Education

Robert Frank Books And Films: 1947-2017

Blue Sky Gallery

Kathy Jones

Patricia Rovzar Gallery

The Time. The Place. Contemporary Art From The Collection

Henry Art Gallery

Jacqueline Barnett

Gallery I M A

Humaira Abid

Bellevue Arts Museum

George Rodriguez

Bainbridge Arts and Crafts

Stone And Sky: Canada’s Mountain Landscape

Audain Art Museum

Form As Meaning: First Nations Prints From The Pacific Northwest

Art Gallery of Greater Victoria

Enn Erisalu

Gallery Jones

Brent Wadden: Two Scores

Contemporary Art Gallery

Marcia Pitch: About Face

North Vancouver

The Polygon Gallery

Landfall And Departure: Epilogue

Nanaimo Art Gallery

Beta Vulgaris: The Sugar Beet Projects

Nikkei National Museum & Cultural Centre

Molly Lamb Bobak: Talk Of The Town

Burnaby Art Gallery

Erica Grimm: Salt Water Skin Boats

The Reach Gallery Museum

Wes Bell: On The Line

Esplanade Arts & Heritage Centre

Mark Dicey: Each Painted Document

Nickle Galleries

Perception

Newzones Gallery of Contemporary Art

Kapwani Kiwanga: A Wall Is Just A Wall (And Nothing More At All)

Esker Foundation

Uncommon Blends

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