Preview Art Magazine November 2025 - January 2026
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Preview Art Magazine Art and Gallery Listings: Nov 2025 - Jan 2026 Issue

Current Issue: Nov 2025 - Jan 2026

Preview Art Magazine

The trusted guide to galleries and museums throughout the Pacific Northwest.


Transparent Pavilion Transforms PAM’s Public Face

Transparent Pavilion Transforms PAM’s Public Face

Portland Art Museum, Portland, OR - New spaces opening Nov 20

by Joseph Gallivan

Portland Art Museum bounces back to its best, starting Nov 20, with a major art rehang and building remodel. The glass-fronted Rothko Pavilion replaces the old courtyard with an inviting entrance, giving the museum a more stately appearance on the famous South Park Blocks. The pavilion also links the two halves of the museum, which have fl oors at di  erent levels. They were connected by a tunnel, which many visitors didn’t know about, thus missing the modern art collection. The three-storey building’s 24-foot-tall windows are made of the same kind of glass used at Apple stores. If that sets your electronic wallet afl utter, a new, gourmet café has replaced the old food hatch. It sits beside the expanded gift shop, which, as all... Read More
Lee Miller: A Photographer at Work (1932–1945)

Lee Miller: A Photographer at Work (1932–1945)

The Polygon Gallery, North Vancouver, BC - Nov 7, 2025 – Feb 1, 2026

by Michael Turner

This touring exhibition, arriving after stops at the Image Centre, in Toronto, and Les Rencontres d’Arles, France, features over 100 photographs from the most productive years of Lee Miller’s career. Guest curated by Gaëlle Morel and organized in collaboration with the Lee Miller Archive, in England, the exhibition seeks to reposition Miller from a bit player in the life of Surrealist artist Man Ray to that of an artist with her own insights and sensibilities, the author of her own narrative arc. “The time is right,” writes Morel, “to finally complicate and deepen our understanding of this important photographer. The exhibition isn’t about mythologising an artist, but about providing Miller due credit. She made an indelible impact on our visual culture through all of her... Read More
Shaping the Story: Designs for the Theatre by Carey Wong

Shaping the Story: Designs for the Theatre by Carey Wong

Washington State History Museum, Tacoma, WA - To Feb 22, 2026

by Lisa Kinoshita

Carey Wong is an architect of worlds. As a stage designer for plays, operas, ballets and musicals, he has created scenic environments for over 300 productions in a career spanning 50 years. With alchemical wizardry, he synthesizes a director’s aesthetic vision with the psychological perspective of the playwright, distilling them into a logistical map for the many craftspeople tasked with building the physical framework of a drama. In Shaping the Story: Designs for the Theatre, viewers see how a set design arises from drawings on paper to exquisitely detailed, 3-D scale models—creative iterations that will bloom into the spectacle of live theatre. “I get to work with people who are creative: all the shop personnel, the carpenters, the painters, the props people, the actors, the... Read More
Cui Jinzhe: The 36 Days I Roam

Cui Jinzhe: The 36 Days I Roam

Harcourt House Artist Run Centre, Edmonton, AB - Jan 16 – Feb 28, 2026

by Lissa Robinson

In The 36 Days I Roam – Chapter 2, her artist’s book (scroll) from 2023, Cui Jinzhe merges calligraphy and dreamlike vignettes into a continuous visual journey. Inked mountains, ancient temples and mythical creatures unfold in lyrical progression across pale parchment. Through interplays between line and rhythm, Jinzhe combines the visual language of traditional Chinese painting with contemporary modes of abstraction and graphic expression. In this forthcoming exhibition, Jinzhe transforms the gallery into an immersive, living scroll where painting, Chinese calligraphy, poetry and performance intertwine to explore the relationships between pictorial imagery, tactile materials and architectural form. Rooted in her ongoing series of the same title, The 36 Days I Roam reflects Jinzhe’s fascination with how traditional practices can be reimagined through time-based configurations and... Read More

Features

  • Alberta
  • British Columbia
  • Washington
  • Oregon
  • Yukon

Cui Jinzhe: The 36 Days I Roam

Harcourt House Artist Run Centre

Beautifully Broken: Kintsugi by Naoko Fukumaru

Nikkei National Museum & Cultural Centre

Farm to Table: Art, Food, and Identity in the Age of Impressionism

Seattle Art Museum

Transparent Pavilion Transforms PAM’s Public Face

Portland Art Museum

Close-up: Christian Waguespack Trades the Southwest for a New Role in ...

Museum of Northwest Art

SiSTER SISTeR | Kathy Pick

Haida Gwaii Museum at Ḵay Llnagaay

Dangerous Beauty: The Prints of Albrecht Dürer

Art Gallery of Greater Victoria

HONORS: WASHINGTON – Seattle Art Museum’s Betty Bowen Award

Lee Miller: A Photographer at Work (1932–1945)

The Polygon Gallery

HONOURS: ALBERTA – Lieutenant Governor of Alberta Arts Awards

New Centre Dedicated to All the Island’s Arts

Hornby Island Arts Centre

Charles Campbell: Breath Portraits

Wil Aballe

Kinesthesia: Body as Form

Surrey Art Gallery

HONORS: OREGON – Ford Family Foundation’s Hallie Ford Fellows in t...

Shaping the Story: Designs for the Theatre by Carey Wong

Washington State History Museum

Highlights

  • Alberta
  • British Columbia
  • Washington
  • Oregon
  • Yukon

Peter Hoffer: Trees in the Field

Newzones

John Horton: The 90 Year Retrospective, Honouring 81 Years of Painting...

Petley Jones Gallery

Alan Lau | Walks Along the Kamogawa: The Kyoto Series – Part I

ArtX Contemporary

Ruth Armitage: Between Certainties

Waterstone Gallery

2025 Salt Spring National Art Prize

2025 Yukon Prize for Visual Arts

Shift: Marie Lannoo and Katie Ohe

Art Gallery of Alberta

Storywork: The Prints of Marie Watt

Jordan Schnitzer Museum of Art at Portland State University

Dominic Benhura: A Graceful Balance

Ukama Gallery

The Wandering Womb: Isabelle Albuquerque and Louise Bourgeois

lumber room

Acts of Conscience: Buster Simpson

Gould Gallery, University of Washington

LAnd SEA

AMcE Creative Arts

Maya Beaudry: Nesting

Art Gallery at Evergreen Cultural Centre

Green Period: Gloria Rodriguez

Gather:Make:Shelter

Designing Nature: Elements of Harmony

Portland Japanese Garden

Sharon Lockhart

Walter Phillips Gallery

Enemy Alien: Tamio Wakayama

Vancouver Art Gallery

Marika Swan ƛ̓ Upinup: A Circle Strong Enough To Carry Both Sides

Burnaby Art Gallery

Abbas Akhavan: One Hundred Years

Morris and Helen Belkin Art Gallery

Memories & Inspiration: The Kerry and C. Betty Davis Collection of Afr...

Hallie Ford Museum of Art

Sojourner Truth Parsons: Louise

Contemporary Art Gallery

Erik Olson: In the Garden

Contemporary Calgary

Nicola Mcgarry | Woolscape: Water, Earth, Sky

Kelowna Art Gallery

Julie Himel: Awe Struck

Foster/White Gallery
Eastside Culture Crawl 2025
Yukon Prize Winner 2025
SSNAP Winner 2025
Il Museo

We respectfully acknowledge that Preview is published on the ancestral and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations.


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Nov 7

Open
New Centre Dedicated to All the Island’s Arts opens on Hornby Island! ⁠
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After two decades of dreaming and fundraising, Hornby Island’s creative community finally has a purpose-built home. Designed by D’Arcy Jones Architects, the new HORNBY ISLAND ARTS CENTRE is a 31,000-square-foot facility with movable walls, a sprung dance floor, and endless potential for collaboration.⁠
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Executive Director Melissa Moore describes the experience of settling in as “letting go of the enchanted view and finding the real magic in connection.” The centre’s inaugural exhibitions — Opening Doors and Archeology of Place — celebrate that spirit of collaboration, bringing together the island’s many artists and histories.⁠
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More than a building, this new space embodies a collective vision of art as community practice — shaped by landscape, history, and the rhythm of island life.⁠
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@hornbyarts 🔗 hornbyarts.com⁠
 #HornbyIslandArtsCentre #BCArts

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Nov 6

Open
LEE MILLER | A PHOTOGRAPHER AT WORK (1932–1945) repositions one of the 20th century’s most fascinating figures. See her work at The Polygon Gallery, North Vancouver BC from Nov 7, 2025–Feb 1, 2026.⁠
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Once known primarily as Man Ray’s muse, Miller emerges here as a visionary artist in her own right. Featuring over 100 photographs — from her surrealist portrait sessions to unflinching warfront reportage — the exhibition reveals a practice defined by curiosity, courage, and precision.⁠
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Curated by Gaëlle Morel in collaboration with the Lee Miller Archive, the show unfolds across three sections: studio portraiture, fashion photography, and Miller’s work as a war correspondent for British Vogue. Her images from Dachau and Buchenwald remain among the most powerful documents of the Holocaust ever captured.⁠
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Through her lens, we see not myth, but truth — art as witness.⁠
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📅 Opening reception Nov 6, 7–9pm. 🔗 thepolygon.ca⁠
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Image: Lee Miller, Frenchwomen accused of being Nazi collaborator, Rennes, France, 1944. © Lee Miller Archives, England, 2025. All rights reserved.⁠
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 #LeeMiller #ThePolygonGallery #PhotographyHistory #WomenInPhotojournalism⁠

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Nov 5

Open
CHRISTIAN WAGUESPACK JOINS MONA⁠
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With roots in the desert Southwest and a new home in the Pacific Northwest, curator Christian Waguespack brings fresh perspective to the Museum Of Northwest Art (@museumnwart) in La Conner WA.⁠
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Formerly of the New Mexico Museum of Art, Waguespack now leads the museum’s curatorial vision with a focus on inclusivity, experimentation, and cross-disciplinary dialogue.⁠
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He’s particularly interested in expanding MoNA’s collection of Indigenous, Latinx, and new media works — ensuring that Northwest art continues to evolve with the communities it represents.⁠
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Visitors can see his curatorial approach reflected in Vitamin P:NW and the reinstallation of MoNA’s permanent collection, which foregrounds diversity of form and voice.⁠
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@christian_waguespack⁠
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🔗 monamuseum.org⁠
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 #MoNA #ChristianWaguespack #NorthwestArt #CuratorialPractice #RegionalArt

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Nov 1

Open
ON OUR COVER for Nov-Dec-Jan! Visit 🔗preview-art.com for the whole story!⁠
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NICOLA MCGARRY | WOOLSCAPE: WATER, EARTH, SKY⁠
See it at the Kelowna Art Gallery(@kelownaartgallery) until January 2026.⁠
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Artist Nicola McGarry transforms carded wool into over 400 sculptural “cake” forms, arranged across the KAG’s Glass Gallery window. From a distance, the work evokes a lakeside sunset — yet each circular piece stands on its own, a soft, tactile meditation on colour, perception,and material.⁠
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Echoing Josef Albers’ “Homage to the Square,” McGarry invites viewers to see colour as a living, shifting experience — one that changes with every glance, every beam of light, every moment of attention.⁠
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A horizon of wool, light, and colour. 🌅⁠
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Cover Image: Nicola McGarry, Woolscape: Water, Earth, Sky (detail), 2025, ethically dyed wool, copper. Photo: Courtesy of the artist and Kelowna Art Gallery. In Nicola McGarry: Woolscape: Water,⁠
Earth, Sky, Kelowna Art Gallery, Kelowna.⁠
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@nicolamcgarry⁠
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#TextileArt #InstallationArt #FiberArt

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Oct 30

Open
To Dec 6 at Nickle Galleries(@nicklegalleries), MUNNINGS: THE WAR YEARS.⁠
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Step back into 1918 through the eyes of Sir Alfred Munnings, one of England’s most celebrated painters of horses. Commissioned by the Canadian War Memorials Fund, Munnings captured over 40 powerful works depicting the Canadian Cavalry Brigade and Canadian Forestry Corps during the First World War.⁠
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From sweeping battlefront landscapes to portraits alive with movement and grace, these works—now part of the Canadian War Museum’s Beaverbrook Collection of War Art—reveal the strength, dignity, and quiet heroism of their subjects.⁠
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Image: Alfred Munnings, Lord Strathcona’s Horse on the March, 1918, Oil on canvas, Beaverbrook Collection of War Art Canadian War Museum 19710261-0441.⁠
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 #SirAlfredMunnings

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Oct 29

Open
CALL FOR SUBMISSIONS: INFOCUS PHOTO EXHIBIT & AWARDS 2026!⁠
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🗓️ Deadline: October 30, 2025. That's TOMORROW! ⁠
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✨ Theme: The Space Between.✨ ⁠
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What exists in the space between — light and shadow, motion and stillness, certainty and doubt?⁠
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InFocus is inviting photographers worldwide to submit work that explores ambiguity, transition, and the unseen threads that connect us. Capture the moments that can’t be explained, only felt — the visual poetry of in-between places.⁠
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Visit 🔗 infocusphoto.ca for all the details. Open to all genres, styles, and skill levels.⁠
⁠
Be part of a global exhibition celebrating the art of perception.⁠
⁠
#InFocusPhotoAwards #PhotographyCall #PhotoContest #CallForSubmissions #InFocus2026

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Oct 29

Open
To Dec 20 at Griffin Art Projects (@griffinartprojects), North Vancouver. Vancouver artist Christos Dikeakos returns with CHRISTOS DIKEAKOS: THE COLLECTORS (10TH ANNIVERSARY EXHIBITION)⁠
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This photographic series explores the intimate worlds of art collectors, both local and global. Through the artist's lens, portraits become layered stories of identity and taste, echoing the Renaissance tradition of depicting subjects among their prized possessions.⁠
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From the iconic double portrait of Uno Langmann to the quiet moments of private collections, Dikeakos captures the intersection of art, humanity, and belonging.⁠
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Image: Christos Dikeakos, Uno Langmann, detailed view, 2019.⁠
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#NorthVancouverArt #ContemporaryPhotography #CanadianArt #ArtCollectors #VancouverArtists

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Oct 23

Open
To Nov 2 at Cannon Beach Gallery ⁠
(@cannonbeachgallery), INTO THE WOODS.⁠
⁠
Step into the forest—where light, texture, and imagination intertwine. ⁠
⁠
Six artists whose works reimagine the Pacific Northwest’s wooded landscapes through painting, photography, sculpture, and design.⁠
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✨ Connie Dillon transforms photographs of Astoria’s forests into intricate mosaics of light and shadow.⁠
✨ Erin Kendig (Seattle) blends watercolor, gouache, and collage to create surreal, dreamlike forest scenes.⁠
✨ Adrian Stanciu crafts sculptural vessels from salvaged wood, giving fallen trees a second life.⁠
✨ Mei McRobert (Portland) paints serene Northwest landscapes that invite quiet reflection.⁠
✨ Darryl Cox Jr. (Central Oregon) merges reclaimed branches with antique frames in his signature Fusion Frames.⁠
✨ Martin Conley carves elegant wood sculptures exploring balance, form, and space.⁠
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Together, their work celebrates the living spirit of the forest—its resilience, transformation, and beauty.⁠
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Image: Dead Nettle Explosion, Watercolour, Erin Kendig.⁠
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@conniedillonart @erinkendig⁠
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#PNWArt

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Oct 22

Open
Anna Gustafson Wins the 2025 Salt Spring National Art Prize (@ssartprize)!⁠
⁠
Congratulations to Anna Gustafson of Salt Spring Island, BC — winner of the 2025 SSNAP for her work WHAT GEORGE SAID…, a powerful text-based fibre piece inspired by her mother’s 1930s cross-stitch sampler.⁠
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Chosen from 52 finalists across Canada, Gustafson receives the $20,000 grand prize, part of SSNAP’s $52,000 total awards, celebrating the diversity and imagination of Canadian contemporary art.⁠
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👏 Congratulations to all winners, finalists, jurors, and partners for making this year’s celebration unforgettable.⁠
⁠
🔗 saltspringartprize.ca⁠
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@annagustafson1⁠
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#SSNAP2025 #AnnaGustafson #SaltSpringArtPrize #CanadianArt #TextileArt #ContemporaryArt #FibreArt #SaltSpringIsland

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Oct 20

Open
Visit Monkey C Interactive’s Artcade (@monkeycinteractive), 706 Fort St, Victoria from Oct 22 – Nov 2  for 🎃 CULT OF CUTE CATASTROPHES 👾.⁠
⁠
Wed–Sun, 2–10 pm⁠
💸 $15 at the door | Free under 3⁠
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This Halloween season, Victoria’s beloved Artcade transforms into a madly unscientific playground of creepy-cute chaos. Cult of Cute Catastrophes is the newest interactive art show from Monkey C Interactive—part haunted lab, part carnival of curiosities, and entirely unpredictable.⁠
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Step inside a world of curious contraptions, interactive machines that refuse to behave, and creations that blur the line between art, music, and mischief. It’s “more creepy-cute and unnerving than traditionally scary,” says co-founder Scott Amos. Here, the audience is as much a part of the art as the machines themselves.⁠
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Building on the cult hit Adoragore: The Art-ening, this year’s expansion dives deeper into Monkey C’s strange and playful experiments. Bring your friends, bring your curiosity—leave your screens at the door.⁠
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⭐️ Victoria’s only hands-on, screen-free interactive art and music playground. Consistently 5-star reviewed.⁠
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#CultOfCuteCatastrophes #MonkeyCInteractive #ArtcadeVictoria #HalloweenVictoria #CreepyCute

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Oct 19

Open
On now! 🔥🌿 DESTRUCTION · REJUVENATION · HARMONY at Blackfish Gallery(@blackfish_gallery), Portland⁠
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A dialogue between earth and fire, destruction and renewal.⁠
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In this joint exhibition, ceramic artist Ruri and visual artist Satoko Motouji explore the cycles of devastation and rebirth that shape both nature and the human spirit.⁠
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Ruri’s ceramic works embody harmony through rebirth—vessels that seem to emerge from the ashes, their forms shaped by transformation and healing. Motouji’s drawings capture the haunting beauty of wildfire, confronting the power of nature’s destruction while gesturing toward renewal.⁠
⁠
Together, their practices create a meditative balance—where fragility and resilience coexist, and creation is inseparable from change.⁠
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Image: Ruri, Caminamos Andando, Mixed media with fired hand-formed clay, laminated carved cedar, 19 x 15 x 6”.⁠
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#portlandarts #ceramicartist #visualartist

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Oct 17

Open
Until Oct 20 at Heffel Fine Art Auction House (@heffelauction⁠
), don't miss their FALL 2025 AUCTION PREVIEW! ⁠
⁠
In celebration of 30 years of landmark auctions, Heffel presents an extraordinary preview of its Fall 2025 season — including the Lillian Mayland McKimm Collection, a remarkable Vancouver Island assemblage of Canadian masterworks.⁠
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Spanning generations of creativity, the McKimm Collection reflects a lifetime of passionate collecting and a deep appreciation for the country’s artistic legacy. From the grandeur of the Rockies captured by the Group of Seven, to coastal visions by Emily Carr and E.J. Hughes, the collection embodies the spirit and beauty of Canada’s landscapes.⁠
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The Vancouver preview also features highlights from A Legacy Through Art: The Hudson’s Bay Company Collection, along with Heffel’s renowned sessions in Post-War & Contemporary Art and Canadian, Impressionist & Modern Art — showcasing rare works by Tom Thomson, Jean Paul Riopelle, and other modern masters.⁠
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🗓 Preview Schedule⁠
Calgary | Oct 2–5⁠
Vancouver | Oct 15–20⁠
Montreal | Oct 30–Nov 4⁠
Toronto | Nov 11–18⁠
⁠
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📍 Heffel Gallery, Vancouver | 2247 Granville St⁠
🗓 Auction takes place November 19, 2025 | Toronto + Live Online at heffel.com⁠
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Image: E.J. Hughes, Entrance to Howe Sound, oil on canvas, 1949, 32 x 36 in (Estimate: $1,250,000 – 1,750,000). From the Lillian Mayland McKimm Collection, image courtesy of Heffel.⁠
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#HeffelAuctions #CanadianArt #LillianMaylandMcKimmCollection #EmilyCarr #EJHughes #GroupOfSeven #TomThomson #Riopelle

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Oct 16

Open
Until Oct 25 at Seymour Art Gallery(@seymourartgallery) in North Vancouver, UNFINISHED TALES: THE WORLD AND WORKS OF CHARLES VAN SANDWYK. ⁠
⁠
🗣 Artist Talk: Sun, Oct 19 | 2 pm⁠
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Step into the enchanting world of Charles van Sandwyk, a storyteller, illustrator, and maker of magic. ✨⁠
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Unfinished Tales is a mid-career survey of rare and never-before-seen works from one of BC's most beloved artists. The exhibition spans van Sandwyk’s creative journey—from early paintings made in Deep Cove, to his most recent watercolours, etchings, and the whimsical new book Fah-nama-nama-nama-lah.⁠
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Born in Johannesburg and raised in Vancouver, van Sandwyk has spent decades crafting illustrated worlds that celebrate the gentle, the fantastical, and the handmade. His works are now held in collections across North America and Europe, and the National Library of Canada has archived his art since 1986.⁠
⁠
Come be transported into a life of art, travel, and timeless imagination.⁠
⁠
@charlesvansandwyk⁠
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#WatercolourArt #DeepCoveArtist

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Oct 16

Open
This weekend! From Gambier Island to Egmont & Earls Cove, the SUNSHINE COAST ART CRAWL 2025 is back for its 16th year, and this one’s the biggest yet! Over 310 artists across 185+ venues open their studios, galleries, and creative spaces⁠
⁠
🗓 Oct 17–19, 2025 | Free & self-guided⁠
🔗 sunshinecoastartcrawl.com⁠
⁠
Meet artists where they create, explore the scenic route, and discover the hidden gems that make this coastline a creative haven.⁠
⁠
📲 Follow @coastculturalalliance for updates.⁠
⁠
Grab your friends, plan your route, and come feel the creative pulse of Coast Life.⁠
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#SunshineCoastArtCrawl #CoastCulturalAlliance #ExploreBCArt #StudioTour #SunshineCoastBC #ArtistsOfBC #ArtRoadTrip

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Oct 10

Open
Once called “the world’s longest undefended border,” the Canada–U.S. line has become a site of debate, memory, and contestation. PARALLAX(E): PERSPECTIVES ON THE CANADA–U.S. BORDER, showing now at The Reach Gallery Museum (@thereachgallery), Abbotsford BC, is the first Canadian art exhibition to take on the complexities of border culture, weaving archival maps, watercolours, and photographs from 19th-century surveyors with contemporary works in sculpture, photography, installation, and new media.⁠
⁠
Central to the exhibition are commissioned works by Indigenous artists and collaborators—including Shawn Brigman, Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and T’uy’t’tanat Cease Wyss—whose practices bring forward histories and relationships that precede the border and persist despite its imposition.⁠
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By placing surveyors’ lines beside living ecosystems and communities, Parallax(e) reveals that borders are not just geographic—they are cultural, political, and deeply human.⁠
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Image: Andreas Rutkauskas, Cutline near Cultus Lake, British Columbia, from Borderline, 2017, digital photograph. Courtesy of the artist.⁠
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#CanadaUSBorder

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Oct 10

Open
Mathew Goodrich paints from direct experience. After a traumatic brain injury altered his memory, he works only in the present moment, capturing landscapes as he sees them, here and now.⁠
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His new series celebrates the lush, verdant beauty of the Northwest—from the Upper Nehalem River to coastal forests. Each painting is both a personal diary and a tribute to the region’s enduring landscapes.⁠
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See PAINTING THE PACIFIC NORTHWEST: MATHEW GOODRICH from Oct 11 – Nov 3 at Imogen Gallery (@imogengallery), Astoria.⁠
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Image: Mathew Goodrich, Upper Nehalem River, Fall Leaves, 2025.⁠
⁠
@mathewgoodrich⁠
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#PNWLandscapes #AstoriaArt #NorthwestPainting⁠

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Oct 8

Open
AT THE CORE: RECENT PAINTINGS BY BARBARA STERNBERGER, on now at Western Gallery (@western_gallery_wwu), Western Washington University, Bellingham WA⁠
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✨ Opening reception, TOMORROW Oct 9, 5–7 pm⁠
🎤 Artist talk: Oct 30, 6 pm⁠
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Barbara Sternberger’s new works are painted not with brushes, but with her hands. Working directly with pigments and white paint layered onto unstretched canvases, she smears, blends, and erases, searching for what she calls “discovery and denial, birthing and letting go.”⁠
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At the Core features 32 recent canvases selected by guest curator Bruce Guenther, who highlights the artist’s pursuit of chi—the life force of Chinese philosophy—through dense, tactile colour. Sternberger’s hand-driven process echoes both the lyrical gestures of Philip Guston and the spiritual abstraction of Northwest master Mark Tobey, while forging her own luminous path.⁠
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Sternberger, based in Bellingham, has exhibited widely across the U.S., received major awards, and participated in the U.S. State Department’s Art in Embassies program. With this exhibition, she reveals a practice at once physical, philosophical, and deeply intimate.⁠
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See the show until Dec 13.⁠
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Image: Barbara Sternberger, From Between That, 2019, oil on canvas. Collection of the artist. Courtesy of Elizabeth Leach Gallery, Portland.⁠
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@barbarasternberger⁠
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#BellinghamArt #AbstractPainting

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Oct 7

Open
DAVID SPRIGGS, showing now until Oct 25 at Penticton Art Gallery (@pentictonartgallery).⁠
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A crimson tidal wave towers overhead, built not of water but of layered transparencies. A bull is split in two, red and blue, suspended upside down as if dissected by politics itself.⁠
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David Spriggs’ large-scale installations sit at the edge of painting and sculpture. Using his “Stratachrome” method—spatialized layers of painted transparencies—Spriggs creates works that shift between image, object, and idea. First Wave (2021), created during the pandemic, references both COVID’s invisible force and Hokusai’s iconic Great Wave. Paradox of Power (2007) dissects binaries—red and blue, body and system, strength and collapse.⁠
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As philosopher Erin Manning writes, Spriggs invites us to “see-with what is not actually there”—to move with perception as it unfolds.⁠
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Image: David Spriggs, First Wave, 2021. Courtesy of the artist.⁠
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@david_spriggs⁠
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#DavidSpriggs #PentictonArtGallery #ContemporaryInstallation #Stratachrome

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Oct 6

Open
How do we create safety in an unsafe world? ARCHITECTURES OF PROTECTION brings together artists Dana Claxton, Jessica Karuhanga, Emilio Rojas, Beth Stuart, and France Trépanier to examine care, harm, and resilience.⁠
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Using diverse media, the works critique systems that endanger while imagining new strategies of protection—personal, communal, and environmental.⁠
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See the show until Oct 26 at the Art Gallery of Greater Victoria (@artgalleryvic).⁠
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Image: Beth Stuart, Delible (blackberry) (detail), 2024. Collection of Folger Rubinoff, Toronto. Photo: Toni Hafkenscheid. Courtesy of Susan Hobbs Gallery.⁠
⁠
#AGGV⁠

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Oct 5

Open
From Oct 9-Nov 8 at Schack Art Center(@schackartcenter) in Everett⁠, Washington, TWO ARTISTS, ONE IDEA: WALT LIEBERMAN AND DICK WEISS⁠
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Collaboration at its most seamless. Glass artists Walt Lieberman and Dick Weiss blur boundaries between painting and blowing, engraving and coldworking. Together they create hybrid works that spark conversations between technique and imagination.⁠
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Weiss, known for stained-glass windows before turning to figurative painting on glass, joins Lieberman’s mastery of engraving to produce pieces that reflect dual vision made singular.⁠
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Image: Walt Lieberman, Untitled. Courtesy of the artists.⁠
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#WaltLieberman #DickWeiss #SchackArtCenter #GlassArt #CollaborativeArt⁠
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Preview Art Magazine Art and Gallery Listings: Nov 2025 - Jan 2026 Issue
Nov 2025 - Jan 2026
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