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Cover: Oscar Howe, Horses (detail), 1963, casein on paper. Photo: Courtesy of the South Dakota Art Museum and the Oscar Howe Family. In Dakota Modern: The Art of Oscar Howe, Portland Art Museum, Portland.

Feb - Mar 2023

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Features in this Issue

Margaux Williamson: Interiors

Esker Foundation

From the Ground Up: Black Architects and Designers

Museum of History & Industry

Hanny Al Khoury: La La Lands

Highlights in this Issue

Rebecca Belmore: Hacer Memoria

The Polygon Gallery

Story Keeping: Brittney Namaakii Bear Hat & Richelle Bear Hat

Nanaimo Art Gallery

Arbitrary Borders: Works By Artists Of Color in Washington’s State A...

Western Gallery & Sculpture Collection, WWU

Creative Diversity Abides

Blackfish Gallery

Regan Rasmussen: Safety Within

Xchanges Gallery and Studios

Charles Stankievech: The Desert Turned To Glass

Contemporary Calgary

Katazome Today: Migrations Of A Japanese Art

Norman Lundin: The Space Between Things

Greg Kucera Gallery

Jun Ho Yun: New Works

Eutectic Gallery

Pierre Coupey: Echo’s Bones / Enn Erisalu: Floating Forms

Gallery Jones

The Willful Plot

Morris and Helen Belkin Art Gallery

The Wishing Well

Kelowna Art Gallery

Keeping the Song Alive

Bill Reid Gallery of Northwest Coast Art

For Ukraine: Art Of Freedom

Schack Art Center

Redesigning Paradise

Whyte Museum of the Canadian Rockies

Through the Lattice

Surrey Art Gallery

Eric Stotik: New Works

Russo Lee Gallery

Locally Sourced

AMcE Creative Arts

Previous Issues

Apr - May 2026

Feb - Mar 2026

Nov 2025 - Jan 2026

Sep - Oct 2025

Jun - Aug 2025

Feb - Mar 2023

Features in this Issue

Margaux Williamson: Interiors

From the Ground Up: Black Architects and Designers

Hanny Al Khoury: La La Lands

Dakota Modern: The Art of Oscar Howe

2023 Fraser Valley Biennial

Karin Jones: Ornament and Instrument

All We Want Is More: The Tobias Wong Project

Guud San Glans Robert Davidson: A Line That Bends But Does Not Break

Mike Bourscheid: Sunny Side Up and other sorrowful stories

Ikat: A World of Compelling Cloth

Gule Wamkulu: Dancing Indigenous Governance