Cover: Lucinda Parker, Saraband, detail, 1993, acrylic on canvas, collection of Willamette University, Salem, OR, Maribeth Collins Art Acquisition Fund.
Photo: Dale Peterson
Image courtesy of Hallie Ford Museum of Art

Feb - Mar 2019

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Features in this Issue

Feb - Mar 2019

Features in this Issue

Tacoma Art Museum's New Benaroya Wing Takes Flight

Bentley Meeker

Samson Young: It’s a Heaven Over There

Our Lives Through Our Eyes: Nk’Mip Children’s Art

Sandow Birk: Dante’s Divine Comedy and Selected Works from American ...

Lucinda Parker: Force Fields

Colette Urban: Gambler

Paul Wong: Suk-Fong, How Are You?

How She Read: Confronting the Romance of Empire

Close-Up: Phen Huang, Director of Seattle’s Foster/White Gallery, Re...

Close-Up: Catriona Jeffries Transforms Historic Metalwork Shop into Ne...

Close-Up: Bellingham National Juror Bruce Guenther Sees Nature in Peri...

Antoni Tàpies: Prints, 1948-1976

Walled Off: The Politics of Engagement

Todd Lambeth: Night Moves

Hexsa’am: To Be Here Always

Highlights in this Issue

Basel Abbas & Ruanne Abou-rahme: New Works

Sherrie Wolf: Found

John David Forsgren: Antithesis Of Language

David Selleck: Catch You On The Flip Side

Janie Olsen: Animal Kingdom

Denial: Shelf Medication

Chelsea Wong: Maximalist In Motion

James Martin: Riding The Moon Train

Finnbogi Pétursson: Infra-supra 2019

David A. Haughton: Angry White Men 2 Further Exploration Of The Face O...

Canadian Landscape

Quiet Nature: The Woodblock Prints Of Walter J. Phillips

Douglas Bentham: The Tablets

French Moderns: Monet To Matisse, 1850-1950

Jane Adams: Living On The Grid

Athut / Words Bounce

Aslan Gaisumov: If No One Asks

Spaces For Reading

Michael Dumontier And Neil Farber

Robin Peck: Crania

Another Landscape Show

Neil Campbell: Wheatfield

#CALLRESPONSE

Jill Ho-you: Inversion

Jake Scharbach: Hand To Hand

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