Cover: Dan Friday (Lummi, born 1975) Sxwo’le (Reef Net) Anchor, 2018, blown glass. Courtesy of the artist.
Photo: Ian Lewis.

Apr - May 2019

Features in this Issue

Apr - May 2019

Features in this Issue

Lynne Cohen: These Walls

Seattle Style: Fashion / Function

Karen Tam: With wings like clouds hung from the sky

Close-Up: Gaylen Hansen, 97, Persists at Painting Nature’s Perils

Stephanie Patsula: (In) Site

Sun, Shadows, Stone: The Photography of Terry Toedtemeier

Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection

Close-Up: Mark Loria, New Gallery Director / Owner

Mel Bochner: Enough Said

Jim Breukelman: Altered States

Cul-de-sac

Tales of an Empty Cabin: Somebody Nobody Was…

Christian Dior

Close-Up: Gulf Island Community Embraces Salt Spring National Art Priz...

Moving Still: Performative Photography in India

Translations: An Exploration of Glass by Northwest Native Carvers and ...

Highlights in this Issue

Elyse Pignolet

Jane Rosen: Written In Stone

Darren Waterston: Vistas

Debra Baxter: What You Mean To Me

Jeffrey Gibson: Like A Hammer

Deb Stoner: Garden Studies

Noah Addis: Future Cities

William Park, Ruth Ross And Poca Kim: Beauty

Blackfish Artists: 40th Year Celebration

Diana Palermo: Sublimation

Closer

Tafadzwa Tigere Tandi And Arthur Manyengedzo

Omer Arbel: Particles For The Built World

(Dis)connect

There Is Truth Here

Grace Gordon-Collins: The Dress

Jane Everett: Understory

Counternarratives: Watercolour Paintings By Archibald Fairbairn

Corrine Hunt: Resilience 2019

Amalie Atkins: Where The Hour Floats

Vikings: Beyond The Legend

Laara Cassells: _after

Jason Carter

Blake Senini: Dear Nevermore

Home Economics: 150 Years Of Canadian Hooked Rugs

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