Click HERE to view in full screen; hit escape to exit

Cover: Harry Kiyooka, Black Quiet (detail), 1963. Photo: Courtesy of Herringer Kiss Gallery. In HARRY MITSUO KIYOOKA − ARTIST. EDUCATOR. ACTIVIST. (1928-2022), Nickle Galleries, Calgary.

Feb - Mar 2024

Download PDF

Features in this Issue

Highlights in this Issue

Dipped In Paint: A Painted Legacy

Schack Art Center

The General Store: Ben Evely And Nahanni Mckay

Kelowna Art Gallery

Tim Cross: Night Flowers

Koplin Del Rio Gallery

Marcelo Suaznabar

Gallery Merrick

Latent

UVic Legacy Art Galleries

What’s At Stake

Schneider Museum of Art

Daphne Minkoff: Façades

Harris Harvey Gallery

Who’s Your Daddy? Inherited Topographies And Other Familiar Accumula...

West Vancouver Art Museum

Acts Of Healing And Repair

Clint Brown: Form And Abstraction

Blackfish Gallery

Harry Mitsuo Kiyooka – Artist. Educator. Activist. (1928-2022)

Nickle Galleries

Unbearable Labour Of Being

CityScape Community ArtSpace

Cathy Daley: Gestures, 2024

Newzones

From Skyworld To Cyberspace: Skawennati

Illingworth Kerr Gallery

Voyager: Steve Jensen

Fogue Studios and Gallery

The Energy Futures Portfolio Project

Harcourt House Artist Run Centre

Dave Meeker: Windows

Portland Arts Collective

Coast Salish Connections: Making It Flow

Coastal Peoples Fine Arts Gallery

Labor Of Love

Jordan Schnitzer Museum of Art at Portland State University

Previous Issues

Apr - May 2026

Feb - Mar 2026

Nov 2025 - Jan 2026

Sep - Oct 2025

Jun - Aug 2025

Feb - Mar 2024

Features in this Issue

Under 60 Tons: Reave Dennison

J.E.H. MacDonald? A Tangled Garden

Gathie Falk: Revelations

Aporia (Notes to a Medium)

Let the real world in: Kirsten Leenaars, Yaimel López Zaldívar, Yosh...

Behind the Reenvisioning of American Art at SAM

Juan Ortiz-Apuy: Tropicana

Willem Volkersz: The View from Here

Crossing: Art, Heritage, and Personal Journeys

Positive Fragmentation: From the Collections of Jordan D. Schnitzer an...

Intersecting Orbits: Michael Morris and Joan Balzar