Preview Art Magazine November 2025 - January 2026
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Preview Art Magazine Art and Gallery Listings: Nov 2025 - Jan 2026 Issue

Current Issue: Nov 2025 - Jan 2026

Preview Art Magazine

The trusted guide to galleries and museums throughout the Pacific Northwest.


Transparent Pavilion Transforms PAM’s Public Face

Transparent Pavilion Transforms PAM’s Public Face

Portland Art Museum, Portland, OR - New spaces opening Nov 20

by Joseph Gallivan

Portland Art Museum bounces back to its best, starting Nov 20, with a major art rehang and building remodel. The glass-fronted Rothko Pavilion replaces the old courtyard with an inviting entrance, giving the museum a more stately appearance on the famous South Park Blocks. The pavilion also links the two halves of the museum, which have fl oors at di  erent levels. They were connected by a tunnel, which many visitors didn’t know about, thus missing the modern art collection. The three-storey building’s 24-foot-tall windows are made of the same kind of glass used at Apple stores. If that sets your electronic wallet afl utter, a new, gourmet café has replaced the old food hatch. It sits beside the expanded gift shop, which, as all... Read More
Shaping the Story: Designs for the Theatre by Carey Wong

Shaping the Story: Designs for the Theatre by Carey Wong

Washington State History Museum, Tacoma, WA - To Feb 22, 2026

by Lisa Kinoshita

Carey Wong is an architect of worlds. As a stage designer for plays, operas, ballets and musicals, he has created scenic environments for over 300 productions in a career spanning 50 years. With alchemical wizardry, he synthesizes a director’s aesthetic vision with the psychological perspective of the playwright, distilling them into a logistical map for the many craftspeople tasked with building the physical framework of a drama. In Shaping the Story: Designs for the Theatre, viewers see how a set design arises from drawings on paper to exquisitely detailed, 3-D scale models—creative iterations that will bloom into the spectacle of live theatre. “I get to work with people who are creative: all the shop personnel, the carpenters, the painters, the props people, the actors, the... Read More
Cui Jinzhe: The 36 Days I Roam

Cui Jinzhe: The 36 Days I Roam

Harcourt House Artist Run Centre, Edmonton, AB - Jan 16 – Feb 28, 2026

by Lissa Robinson

In The 36 Days I Roam – Chapter 2, her artist’s book (scroll) from 2023, Cui Jinzhe merges calligraphy and dreamlike vignettes into a continuous visual journey. Inked mountains, ancient temples and mythical creatures unfold in lyrical progression across pale parchment. Through interplays between line and rhythm, Jinzhe combines the visual language of traditional Chinese painting with contemporary modes of abstraction and graphic expression. In this forthcoming exhibition, Jinzhe transforms the gallery into an immersive, living scroll where painting, Chinese calligraphy, poetry and performance intertwine to explore the relationships between pictorial imagery, tactile materials and architectural form. Rooted in her ongoing series of the same title, The 36 Days I Roam reflects Jinzhe’s fascination with how traditional practices can be reimagined through time-based configurations and... Read More
Lee Miller: A Photographer at Work (1932–1945)

Lee Miller: A Photographer at Work (1932–1945)

The Polygon Gallery, North Vancouver, BC - Nov 7, 2025 – Feb 1, 2026

by Michael Turner

This touring exhibition, arriving after stops at the Image Centre, in Toronto, and Les Rencontres d’Arles, France, features over 100 photographs from the most productive years of Lee Miller’s career. Guest curated by Gaëlle Morel and organized in collaboration with the Lee Miller Archive, in England, the exhibition seeks to reposition Miller from a bit player in the life of Surrealist artist Man Ray to that of an artist with her own insights and sensibilities, the author of her own narrative arc. “The time is right,” writes Morel, “to finally complicate and deepen our understanding of this important photographer. The exhibition isn’t about mythologising an artist, but about providing Miller due credit. She made an indelible impact on our visual culture through all of her... Read More

Features

  • Alberta
  • British Columbia
  • Washington
  • Oregon
  • Yukon

Cui Jinzhe: The 36 Days I Roam

Harcourt House Artist Run Centre

Beautifully Broken: Kintsugi by Naoko Fukumaru

Nikkei National Museum & Cultural Centre

Farm to Table: Art, Food, and Identity in the Age of Impressionism

Seattle Art Museum

Transparent Pavilion Transforms PAM’s Public Face

Portland Art Museum

Close-up: Christian Waguespack Trades the Southwest for a New Role in ...

Museum of Northwest Art

Dangerous Beauty: The Prints of Albrecht Dürer

Art Gallery of Greater Victoria

SiSTER SISTeR | Kathy Pick

Haida Gwaii Museum at Ḵay Llnagaay

HONORS: WASHINGTON – Seattle Art Museum’s Betty Bowen Award

Lee Miller: A Photographer at Work (1932–1945)

The Polygon Gallery

HONOURS: ALBERTA – Lieutenant Governor of Alberta Arts Awards

HONOURS: BRITISH COLUMBIA – Audain Prize for the Visual Arts

New Centre Dedicated to All the Island’s Arts

Hornby Island Arts Centre

Charles Campbell: Breath Portraits

Wil Aballe

Kinesthesia: Body as Form

Surrey Art Gallery

HONORS: OREGON – Ford Family Foundation’s Hallie Ford Fellows in t...

Shaping the Story: Designs for the Theatre by Carey Wong

Washington State History Museum

Highlights

  • Alberta
  • British Columbia
  • Washington
  • Oregon
  • Yukon

Peter Hoffer: Trees in the Field

Newzones

John Horton: The 90 Year Retrospective, Honouring 81 Years of Painting...

Petley Jones Gallery

Alan Lau | Walks Along the Kamogawa: The Kyoto Series – Part I

ArtX Contemporary

Ruth Armitage: Between Certainties

Waterstone Gallery

2025 Salt Spring National Art Prize

2025 Yukon Prize for Visual Arts

Shift: Marie Lannoo and Katie Ohe

Art Gallery of Alberta

Storywork: The Prints of Marie Watt

Jordan Schnitzer Museum of Art at Portland State University

Dominic Benhura: A Graceful Balance

Ukama Gallery

The Wandering Womb: Isabelle Albuquerque and Louise Bourgeois

lumber room

Acts of Conscience: Buster Simpson

Gould Gallery, University of Washington

LAnd SEA

AMcE Creative Arts

Maya Beaudry: Nesting

Art Gallery at Evergreen Cultural Centre

Green Period: Gloria Rodriguez

Gather:Make:Shelter

Designing Nature: Elements of Harmony

Portland Japanese Garden

Sharon Lockhart

Walter Phillips Gallery

Enemy Alien: Tamio Wakayama

Vancouver Art Gallery

Marika Swan ƛ̓ Upinup: A Circle Strong Enough To Carry Both Sides

Burnaby Art Gallery

Abbas Akhavan: One Hundred Years

Morris and Helen Belkin Art Gallery

Sojourner Truth Parsons: Louise

Contemporary Art Gallery

Memories & Inspiration: The Kerry and C. Betty Davis Collection of Afr...

Hallie Ford Museum of Art

Erik Olson: In the Garden

Contemporary Calgary

Nicola Mcgarry | Woolscape: Water, Earth, Sky

Kelowna Art Gallery

Julie Himel: Awe Struck

Foster/White Gallery
Eastside Culture Crawl 2025
Yukon Prize Winner 2025
SSNAP Winner 2025
Il Museo

We respectfully acknowledge that Preview is published on the ancestral and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations.


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Dec 13

Open
At Portland Japanese Garden (@portlandjapanesegarden), Portland OR, to Feb 23, 2026.⁠
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🍃 DESIGNING NATURE | ELEMENTS OF HARMONY invites visitors to reflect on balance and beauty through Japanese aesthetics of simplicity and form.⁠
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Featuring paintings, bamboo weavings, monochrome photography, and intricate models, the exhibition bridges traditional craftsmanship with contemporary design.⁠
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From Anne Crumpacker’s woven bamboo sculptures to Stu Levy’s black-and-white studies of the garden’s evolution, the show celebrates nature as both subject and collaborator.⁠
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 🔗 japanesegarden.org⁠
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Image:Anne Crumpacker, Cross Currents, 2011. Courtesy of Portland Japanese Garden.⁠
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#JapaneseArt

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Dec 12

Open
In 19th-century France, food and art were inseparable expressions of national identity — and both were transformed in the wake of war.⁠
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FARM TO TABLE | ART, FOOD, AND IDENTITY IN THE AGE OF IMPRESSIONISM examines the rise of Impressionism through the imagery of food, labor, and class. More than 50 works by Monet, Renoir, Pissarro, and others trace a society shifting from rural tradition to modern industry.⁠
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Still lifes of lavish meals contrast with depictions of farm work and hunger, reminding us that beauty and struggle often coexist. From La Meule (The Haystack) to Haying Scene, the exhibition connects the poetry of light to the people who harvested it.⁠
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Organized by the American Federation of Arts, this is the only West Coast venue for the show — a feast for the eyes and mind.⁠
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See the show until Jan 18 at Seattle Art Museum (@seattleartmuseum), Seattle WA.⁠
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 🔗 seattleartmuseum.org⁠
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Image: Claude Monet, La Meule (The Haystack), 1891, oil on canvas. Private lender, courtesy of American Federation of Arts.⁠
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 #SeattleArtMuseum #Impressionism #FarmToTable #ArtHistory

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Dec 11

Open
At the Art Gallery of Alberta (@@youraga⁠), Edmonton AB, to Feb 22, 2026, ⁠SHIFT | MARIE LANNOO & KATIE OHE.⁠
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Two pioneers of Prairie abstraction — Marie Lannoo and Katie Ohe — meet in  a radiant conversation between light, color, and movement.⁠
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 Lannoo’s layered pigment surfaces pulse with internal luminosity, while Ohe’s kinetic sculptures invite viewers into playful motion. Together, their works turn perception into performance, revealing how form and experience are never static.⁠
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In a world often consumed by speed, Shift celebrates the slow alchemy of looking, touching, and sensing.⁠
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🔗 youraga.ca⁠
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Image: Marie Lannoo, Through and Through and Through, 2009–10, installation view. Photo: Charles Cousins, courtesy of the Art Gallery of Alberta.⁠
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#KatieOhe #MarieLannoo #PrairieArt #ContemporaryAbstraction⁠

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Dec 9

Open
See Kathy Pick | SiSTER SISTeR at Haida Gwaii Museum at Kay Llnagaay, Skidegate BC — To Dec 24⁠
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Woven from the materials of island life — bark, kelp, rusted metal, bone, and linen — Kathy Pick’s SiSTER SISTeR celebrates the bonds between women and the landscapes they share.⁠
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Created during the isolation of the pandemic, the exhibition grew out of a longing for connection. Pick invited friends to join her in cutting thrifted T-shirts, which she later wove into a 36-foot Rainbow Serpent suspended in the gallery.⁠
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Each sculpture carries its own story of friendship, memory, and care. As viewers walk among them, they sense a dialogue between human and natural worlds — one that speaks softly of resilience and love.⁠
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Pick’s work reminds us that sisterhood is not of blood, but of heart.⁠
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🔗 haidagwaiimuseum.ca⁠
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Image: Kathy Pick, No. 47, 2025, bone with barnacle, kelp. Photo: Xuud John Wilson.⁠
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 #KathyPick #HaidaGwaiiMuseum #TextileArt

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Dec 8

Open
What does it mean to know the body from within?⁠
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KINESTHESIA | BODY AS FORM explores the awareness of movement and embodiment through works by dancers, visual artists, and filmmakers from across Canada. Curated by Rhys Edwards, the exhibition spans sculpture, textiles, film, and performance — expanding how we perceive choreography, ritual, and healing in art.⁠
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See the show at the Surrey Art Gallery, Surrey BC to Dec 14.⁠
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Participants include Brendan Fernandes, Tanya Lukin Linklater, Dana Michel, and All Bodies Dance. Their works blur the boundaries between visual and performative, transforming gesture into language and rhythm into space.⁠
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Through this gathering of practices, Kinesthesia invites viewers to feel the exhibition as much as see it — to sense art through the living motion of bodies.⁠
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🔗 surrey.ca/artgallery⁠
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Image: Brendan Fernandes, still from Standing Leg, 2014, live performance and video performance (5 min 12 sec). Courtesy of the artist.⁠
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@surreyartgal⁠
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#PerformanceArt #Embodiment #DanceAndVisualArt

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Dec 7

Open
On now at Foster/White Gallery (@fosterwhitegallery), Seattle, JULIE HIMEL | AWE STRUCK.⁠
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Toronto painter Julie Himel transforms familiar landscapes into urgent meditations on crisis and renewal.⁠
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Her sweeping brushstrokes and atmospheric palette render forests as both sanctuary and site of collapse — at once breathtaking and foreboding.⁠
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In "Awe Struck", beauty is not passive; it is charged, alive, and volatile. Himel’s landscapes pulse with the anxiety of a world in flux, revealing the fine line between awe and alarm.⁠
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See the show until Dec 20.⁠
 🔗 fosterwhite.com⁠
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Image: Julie Himel, Grew to Be, 2025.⁠
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@juliehimel⁠
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#LandscapePainting #ContemporaryPainting

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Dec 6

Open
🪵✨ Bidding Still Open! ⁠
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LATTIMER GALLERY’S ANNUAL CHARITY BENTWOOD BOX AUCTION⁠
📅 Live Auction & Artist Reception: Dec 6, 5–7 PM PST⁠
📍 Museum of Vancouver⁠
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Bidding is underway for this year’s Charity Bentwood Box Auction, and you can still get involved before the live event on December 6!⁠
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This year’s stunning boxes are now available to view and bid on through Lattimer Gallery's website 🔗lattimergallery.com. Place bids in $100 increments via phone, email, or in person.⁠
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All funds raised support local Indigenous organizations, including the event partner, Urban Native Youth Association (UNYA) — providing prevention-focused programs for Indigenous youth since 1988.⁠
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❤️ Last year, $88,447.21 was raised, bringing the 18-year total to $952,888.15. With your support, the total his year will hopefully surpass $1 million this year!⁠
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Event Highlights:⁠
✨ Live auction begins at 5 PM PST (Dec 6) at the Museum of Vancouver⁠
✨ Bid in person, leave an absentee bid, or request a call for phone bidding⁠
✨ 10% of all in-store & online sales on Dec 6 donated to UNYA⁠
🌮 Food by Tacofino⁠
🍸 Cash bar⁠
📍 Museum of Vancouver — 1100 Chestnut St.⁠
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RSVP via Eventbrite.⁠
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Image: Meaghan McRae, Abundance From Balance.⁠
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@lattimergallery @unyayouth⁠
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#BentwoodBoxAuction #UrbanNativeYouthAssociation #IndigenousArt #CharityAuction #SupportLocalArtists

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Nov 30

Open
ELEVATE THE ARTS: PENTICTON FUNDRAISER AUCTION is on now! Bid online until Thursday, Dec 4, and attend the Live & Silent Auction Event on Friday, Dec 5.⁠
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To bid and for more information visit: 🔗32auctions.com/elevatethearts⁠
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Supporting the arts. Supporting community. Supporting the Dream.⁠
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This year’s Elevate the Arts auction is a community-wide fundraiser bringing together arts groups across snpintktn (Penticton) to celebrate creativity and raise essential funds for local arts organizations.⁠
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The fundraiser is a collective event dedicated to strengthening the arts across the entire region.⁠
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Online Bidding on NOW!⁠
Live & Silent Auction Event: Friday, Dec 5⁠
📍 Elks Hall, 343 Ellis St, Penticton⁠
🍽️ $30 ticket includes dinner, drink, Bingo card + bidding card⁠
🎤 Featuring legendary auctioneer Paul Crawford⁠
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Funds raised will support:⁠
• Local arts groups participating in the auction⁠
• Ongoing work of the Elks—including their plan to install an elevator to make the beautiful upstairs dance hall fully accessible⁠
• The Dream Café’s transition and hoped-for future as a non-profit⁠
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All Penticton arts groups are welcome to contribute items, and community donations are encouraged. Let’s uplift the arts—together.⁠
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#ElevateTheArts #PentictonArts #SupportLocalArts

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Nov 29

Open
💫 DOMINIC BENHURA | A GRACEFUL BALANCE, on until Jan 5, 2026 at Ukama Gallery, Vancouver, BC.⁠
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Zimbabwean sculptor Dominic Benhura’s joyful figures embody harmony, family, and motion. Working in stone and steel, the forms dance between abstraction and humanity — children at play, mothers and sons, gestures of care.⁠
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Each sculpture radiates strength and tenderness in equal measure, inviting viewers into a world where balance is beauty itself.⁠
 🔗 ukama.ca⁠
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Image: Dominic Benhura, Party Dress. Courtesy of the artist and Ukama Gallery.⁠
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@dbenhura_sculptures⁠
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 #DominicBenhura #UkamaGallery #ZimbabweanArt

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Nov 28

Open
We celebrate visionary artists whose work continues to shape the cultural landscape across Western Canada and the Pacific Northwest. Our Honours for 2025 are...⁠
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ALBERTA – LIEUTENANT GOVERNOR OF ALBERTA DISTINGUISHED ARTIST AWARD.  Rita McKeough, Calgary-based interdisciplinary artist, is recognized for her groundbreaking installations, performances, and media works incorporating sound, electronics, and kinetic elements. A celebrated mentor, McKeough has profoundly influenced generations of Canadian artists.⁠
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BRITISH COLUMBIA – AUDAIN PRIZE FOR THE VISUAL ARTS. Brian Jungen, one of Canada’s most internationally recognized contemporary artists, receives the 2025 Audain Prize. Born in Fort St. John (Dane-zaa/Suisse-Canadian), Jungen first gained acclaim with Prototypes for New Understanding (1999), transforming Nike Air Jordans into Northwest Coast–inspired masks. He continues to reimagine mass-produced objects into sculptural forms alive with cultural, environmental, and political resonance.⁠
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WASHINGTON – SEATTLE ART MUSEUM’S BETTY BOWEN AWARD.⁠
Ann Leda Shapiro, honoured for her fantastical watercolours that merge art, medicine, and ecology. A pioneering feminist artist whose work was censored after her 1973 Whitney solo exhibition, Shapiro continues to explore gender, sexuality, and the body. Her solo exhibition at SAM is slated for 2027.⁠
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OREGON – HALLIE FORD FELLOWS IN THE VISUAL ARTS. The 2025 Fellows are: • Derek Franklin — semi-abstract paintings and welded sculptures exploring domesticity and art history. • Sara Siestreem (Hanis Coos) — work grounded in Indigenous ceremony, ecological justice, and feminist scholarship. • Vo Vo — embroidered and installation-based works examining care, community support systems, and healing within a post-traumatic world.⁠
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Images: 1. Rita McKeough, Photo: Rita Taylor; 2. Brian Jungen, Photo: Tyler Hagan; 3. Ann Leda Shapiro, Photo: Courtesy of the artist; 4. Vo Vo, Photo: Sam Gehrke Photography; 5. Derek Franklin, Photo: Sam Gehrke Photography; 6. Sara Siestreem (Hanis Coos), Photo: Sam Gehrke Photography.⁠
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@therealmckeough @brianjungen @annledashapiro @derektylerfranklin @sarasiestreem ⁠
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#ArtAwards2025

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Nov 27

Open
PETER HOFFER | TREES IN THE FIELD runs at Newzones Gallery of Contemporary Art (@newzones), Calgary AB, from Nov 27, 2025–Jan 17, 2026.⁠
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Peter Hoffer’s latest series is a quiet meditation on endurance. Inspired by the solitary trees of L’Isle aux Grues, Quebec, his resin-coated panel paintings balance raw natural energy with refined technique.⁠
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Each wind-bent trunk becomes a portrait of resilience — a figure holding steady against shifting light and weather. Beneath the resin’s glassy surface lies a painter’s hand attuned to impermanence and grace. Hoffer merges material and emotion, reminding us that solitude, too, can be luminous.⁠
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 🔗 newzones.com⁠
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Image: Peter Hoffer, Emperor (detail), 2025. Courtesy of the artist.⁠
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@peterhoffer⁠
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#CanadianArt

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Nov 26

Open
Visit Il Museo, Italian Cultural Centre (@ilcentrovan), Vancouver, for EARTH, FIRE, AND FORM | A BC CERAMICS CELEBRATION, Nov 21, 2025 - Jan 15, 2026.⁠
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📅Opening Reception: Thursday, November 27, 7pm.⁠
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Celebrate the enduring vitality of British Columbia’s ceramic arts. This exhibition marks the 70th Anniversary Exhibition of the Potters’ Guild of BC. Since 1955, the Potters Guild of British Columbia has championed the ceramic arts across the province. As BC’s largest and oldest organization for ceramic artists, the PGBC continues to nurture connection, education, and excellence in the craft.⁠
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@pottersguildofbc⁠
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#BCCeramics

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Nov 23

Open
THE WANDERING WOMB | ISABELLE ALBUQUERQUE & LOUISE BOURGEOIS pairs two artists across generations in a dialogue on the body, desire, and liberation.⁠
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Isabelle Albuquerque’s sensuous casts of her own body parts — in bronze, resin, and wax — confront the histories of control once imposed on women’s anatomy. Louise Bourgeois’s sculptures, including Pregnant Woman and Depression Woman, deepen this lineage of vulnerability and strength.⁠
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Together, their works transform the body into a site of reclamation and myth — charged with emotion, memory, and collective healing.⁠
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The show can be seen at Lumber Room (@lumberroompdx), Portland OR to Jan 31, 2026.⁠
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 🔗 lumberroom.com⁠
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Image: Isabelle Albuquerque,Mother and Child, 2025. Courtesy of Nicodim and Jeffery Deitch Gallery. Photo: Mario Gallucci.⁠
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 #IsabelleAlbuquerque #LouiseBourgeois #lumberroom #FeministArt #PortlandArt

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Nov 22

Open
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At Morris and Helen Belkin Art Gallery (@belkinartgallery), Vancouver BC to Dec 7.⁠
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ABBAS AKHAVAN | ONE HUNDRED YEARS newest body of work explores the fragile boundaries between domestic space and institutional structure — hospitality and hostility intertwined.⁠
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Through sculpture, video, and installation, Akhavan investigates what it means to pause — to create stillness amid systems of power and control.⁠
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One Hundred Years captures that threshold moment when time halts and space begins to speak.⁠
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 🔗 belkin.ubc.ca⁠
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Image: Abbas Akhavan, Studio, 2025 and Spring, 2021–25. Photo: Rachel Topham Photography.⁠
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@abbasakhavan⁠
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#InstallationArt

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Nov 20

Open
Starting tonight! 🎨 EASTSIDE CULTURE CRAWL (@@culturecrawl)⁠
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Various locations across Vancouver’s Eastside from Nov 20-23.⁠
Hours: Thu-Fri 5–10pm; Sat–Sun 11am-6PM⁠
Details & map: culturecrawl.ca⁠
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For four days each November, more than 500 artists open their studios across Vancouver’s Eastside for the Eastside Culture Crawl — a democratic, citywide festival where painting, printmaking, ceramics, glass, jewellery, furniture, textiles and more meet the public. Rooted in the neighbourhood bounded by Columbia St, First Ave, Victoria Drive and the Waterfront, the Crawl foregrounds both emerging voices and internationally established makers, inviting direct encounter with process, place, and practice.⁠
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Whether you’re seeking conversation, inspiration, or an original work to take home, the Crawl offers an unparalleled opportunity to move through artist studios, learn about material practices, and witness art as an everyday, communal act. Visit the website for the latest updates and the Crawl Map, plan your route, and follow @culturecrawl for behind-the-scenes highlights.⁠
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See you on the Crawl — where studio doors open and the city becomes a gallery!⁠
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#EastsideCultureCrawl #VancouverArt #StudioVisit #SupportLocalArtists #PublicArt #ArtFestival #VancouverEvents

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Nov 20

Open
Opening Nov 20! TRANSPARENT PAVILION TRANSFORMS PAM’S PUBLIC FACE⁠
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The Portland Art Museum (@portlandartmuseum) unveils its most transformative expansion in decades with the completion of the Rothko Pavilion — a luminous glass structure linking the museum’s two wings.⁠
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Adding nearly 100,000 square feet of new and upgraded gallery space, the Pavilion reimagines the visitor experience with openness, accessibility, and light.⁠
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Named for Mark Rothko, who spent his early years in Portland, the project includes rotating loans from the Rothko family and the National Gallery of Art. Inside, a rehang of the museum’s collection introduces new works and a dedicated gallery for Black art and experiences.⁠
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More than a renovation, the Rothko Pavilion is an invitation to see, reflect, and connect anew.⁠
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🔗 portlandartmuseum.org⁠
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Image: Rendering of Rothko Pavilion by Hennebery Eddy Architects and Vinci Hamp Architects.⁠
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 #PortlandArtMuseum #RothkoPavilion #MarkRothko #MuseumArchitecture

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Nov 19

Open
At Jordan Schnitzer Museum of Art at PSU (@psu_museum_of_art), Portland OR to Dec 6, MARIE WATT | STORYWORK: THE PRINTS OF MARIE WATT⁠
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Rooted in her Seneca heritage and storytelling traditions, Marie Watt’s printmaking practice bridges art and community. Storywork surveys over 60 prints, sculptures, and textiles — mapping Watt’s evolution from printmaker to social practice artist.⁠
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Blankets, jingle cones, and text carry the warmth of collective memory, transforming materials into narratives of care and continuity. Her work reminds us that stories, like fabric, hold strength in their interweaving.⁠
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 🔗 pdx.edu/museum-of-art⁠
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Image: Marie Watt, Forest Shifts Light (Sequoia, Crest, Canopy), 2025⁠
Collection of the Jordan Schnitzer Family Foundation. Photo: Mario Gallucci.⁠
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@marie_watt_studio⁠
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 #MarieWatt #JordanSchnitzerMuseum #IndigenousArt #Printmaking

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Nov 17

Open
Filmed over four summers on Newfoundland’s Fogo Island, SHARON LOCKHART’S WINDWARD immerses us in the quiet endurance of coastal life. Through long, meditative takes and intimate portraits of the island’s youth, Lockhart captures a community shaped by wind, sea, and time itself.⁠
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Her still photographs and film unfold like conversations between past and present — gestures of care, curiosity, and belonging. As the rhythms of daily life slow, the landscape becomes both portrait and collaborator, revealing the profound intimacy between people and place.⁠ Lockhart reminds us that observation can be an act of empathy, and that stillness, too, can be revolutionary.⁠
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See it until Jan 7 at Walter Phillips Gallery(@walterphillipsgallery), Banff AB.⁠
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 🔗 banffcentre.ca/walter-phillips-gallery⁠
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Image: Sharon Lockhart, still from WINDWARD, 2025. Courtesy the artist and neugerriemschneider, Berlin. © Sharon Lockhart, 2025⁠
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@sharonlockhartstudio⁠
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#FogoIsland #CanadianArt

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Nov 16

Open
See it before it ends! At Petley Jones Gallery (@petleyjonesgallery), Vancouver BC, to Nov 19, JOHN HORTON | THE 90-YEAR RETROSPECTIVE.⁠
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Celebrating over eight decades of painting, John Horton’s retrospective honours one of Canada’s most accomplished marine artists. His meticulously researched seascapes capture not only light and movement but atmosphere itself — one can almost sense the season, time, and temperature within each frame.⁠
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A master of maritime storytelling, Horton’s work charts the beauty and history of coastal life with precision and grace.⁠
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 🔗 petleyjones.com⁠
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Image: John Horton, Start 'em Young, 2025. Courtesy of the artist.⁠
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 #JohnHorton #MarineArt #PetleyJonesGallery #VancouverArt

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Nov 15

Open
⏳ Final Week to Visit! EN ROUTE: MOBILE FORMS OF ART AND EDUCATION at Libby Leshgold Gallery, ECUAD (@libbyleshgoldgallery.)⁠
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LAST DAY: November 16, 2025⁠
Hours: 12-5pm⁠
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This exhibition traces a powerful lineage of artist-led learning, mobile pedagogy, and community-centered art practices. Beginning in the Emily Carr University Archives, it reflects on a formative period from 1979–1985, when ECU’s now-legendary Outreach Program activated classrooms across the province.⁠
⁠
Featuring materials from the travelling Printmobile, the pioneering Telecourses, and the touring BC Young Artists Biennial, En Route highlights how artists have long expanded education beyond institutional walls—reshaping how knowledge circulates, who it reaches, and how it is shared.⁠
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Alongside these histories, the exhibition presents contemporary and archival work by ECU faculty, alumni, and community members whose practices continue this spirit of expanded learning:⁠
• Ian Wallace and the Visiting Artist Program (1979–89)⁠
• Laiwan and the founding of Or Gallery (1983)⁠
• Patrick Cruz and the inaugural Kamias Triennial (2014)⁠
• Avenue (East Hastings) & Duplex (Fraser Street)⁠
• Moniker Press (2014–present)⁠
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Together, these moments form a celebration of the porous classroom—a space shaped by mutual support, artist-led initiatives, and radical forms of dissemination.⁠
⁠
Organized by Bopha Chhay, Troy Johnson, Vanessa Kwan with Kristy Waller. 💠 Curated in support of ECU 100, Emily Carr University of Art + Design’s centennial anniversary.⁠
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Image: Installation view, En Route: mobile forms of art and education, 2025. Photo credit: Blaine Campbell.⁠
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 #EmilyCarrUniversity #ArtEducation #VancouverArt #ArchivesInAction
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