Trace

Riffing on the idea of the “black mirror” – that is, the computer screen – Trace brings together the work of two interdisciplinary artists, Gwenessa Lam and Hyung-Min Yoon. Lam is represented here by an installation of photo-etchings and a book whose primary image, sourced online, is of a house on fi re. Yoon’s fi lm installation quotes from 15th-century Confucian woodblock prints, their moral lessons confounded by allusions to contemporary cartoon culture and black humour.