Preview Art Magazine April - May 2026
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Preview Art Magazine Art and Gallery Listings: Apr - May 2026 Issue

Current Issue: Apr - May 2026

Preview Art Magazine

The trusted guide to galleries and museums throughout the Pacific Northwest.

This year we celebrate 40 years of Preview

Into the Wosk Collection: Discovery and Wonder

Into the Wosk Collection: Discovery and Wonder

Audain Art Museum, Whistler, BC - To April 27

by Michael Turner

Scholar, author, educator, rabbi, businessperson, peace activist, art collector and philanthropist Yosef Wosk has played a recurring role in the shaping of modern-day Vancouver. Born in the city in 1949, he is the son of Morris Wosk, who, with his brother Ben, emigrated from Ukraine with their parents in 1928 and went to work as street peddlers. Within 20 years the Wosk brothers had built a diverse retail and real estate empire. While Yosef came up in the family business, diversification for him included spiritual, intellectual, aesthetic and humanist pursuits. Wosk’s long-standing interest in books, manuscripts, photographs, prints, paintings, sculptures, furniture and various cultural objects has resulted in a remarkable collection that is both vast and coherent. Curators Adad Hannah and the Audain’s Kiriko Watanabe... Read More
David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation

David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation

Portland Art Museum, Portland, OR - To July 26

by Joseph Gallivan

The largest North American survey of Hockney’s work ever assembled is making quite a splash in Portland. Inside the newly renovated Portland Art Museum, the two-floor show traces the full arc of a restlessly inventive mind. It features more than 200 pieces spanning six decades, including prints, collages, video, photographic works, and drawings made on an iPad. Hockney was known as “the Boy from Bradford” at the Royal College of Art in Swinging London, where he evolved from abstraction to Pop Art. The provincial “Boy” learned he was a far more talented draftsman than his privileged peers. He discovered the even more swinging Los Angeles in 1964. He shuttled to and from LA until 1977, when he settled there, but did have periods living back... Read More
Tom Lloyd

Tom Lloyd

Frye Art Museum, Seattle, WA - May 16 – Sep 20

by Susan Kunimatsu

When the Studio Museum in Harlem opened in 1968, its inaugural exhibition was Electronic Refractions II, a survey of Tom Lloyd’s groundbreaking electronic light sculptures. In the ensuing decades, the museum grew into an institution internationally renowned for its presentation of and support for artists of the African diaspora. It acquired, expanded and then outgrew its current location on West 125th Street. After a complete reconstruction, the museum reopened in 2025 with Tom Lloyd, a retrospective including seminal works from the 1968 exhibition. The show opens at the Frye in Seattle mid-May. “The radical choice in making him the inaugural show was not that he was a Black artist … but rather that he was an artist working in a new technology,” says Studio Museum... Read More
Anthony Cudahy, Justin de Verteuil, Magalie Guérin & Alexandre Pépin

Anthony Cudahy, Justin de Verteuil, Magalie Guérin & Alexandre Pépin

Esker Foundation, Calgary, AB - To April 26

by Lissa Robinson

If you’ve ever walked through an art gallery and felt like you’ve barely scratched the surface, you’re not alone. But what if truly enjoying and understanding art requires slowing down? Slow looking, a practice rooted in mindfulness, is at the core of four solo painting exhibitions at Esker Foundation. Works by Justin de Verteuil, Alexandre Pépin, Anthony Cudahy and Magalie Guérin create sensual environments through four distinct painting practices. Blurring the boundary between figuration and abstraction, they transform everyday moments into fleeting yet tangible expressions, offering a human centred counterpoint to our fast-moving, hyper-digital environment. De Verteuil opens a window onto other realms. In Planet Caravan, a body hovers before a tree silhouetted against a fiery sky. A taut hammock transforms into wing-like shapes as... Read More

Features

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Anthony Cudahy, Justin de Verteuil, Magalie Guérin & Alexandre Pépin...

Esker Foundation

Preview's Founder Recalls Guide's Expo Origins

Tom Lloyd

Frye Art Museum

David Hockney: Works from the Collections of Jordan D. Schnitzer and H...

Portland Art Museum

Stephen Shore: Uncommon Places

Vancouver Art Gallery

Montréal Chinois: The Lost Decades / Les décennies perdues. Photogra...

Chinese Canadian Museum

Karen Zalamea: Every Surface Is a Shrine

Art Gallery at Evergreen Cultural Centre

Every River Has a Mouth: The Visual Languages That Connect Us

Bill Reid Gallery of Northwest Coast Art

Into the Wosk Collection: Discovery and Wonder

Audain Art Museum

Into the Fold: Jessie Demers, Beth Kope, Victoria Edgarr

Xchanges Gallery and Studios

Highlights

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Abstraction Now – Harcourt’s Practitioners of Abstract Art + Guest...

Harcourt House Artist Run Centre

Tania Willard: Photolithics

The Polygon Gallery

Lauren Boilini: Celestial Navigation

San Juan Islands Museum of Art

Blue Sky 50 Years Anniversary Exhibition: 2005 – 2015

Blue Sky Gallery

Remembering Tom Prochaska, 1945–2026

Froelick Gallery

Emilie Fantuz & Gillian Richards: Liminal City

Pendulum Gallery

Memories, Maps, Reflections: The Cartography of Bettina Matzkuhn

Il Museo, Italian Cultural Centre

Unblocked: A Donna Porter Career Retrospective

Kirkland Arts Center

Action Hero & Mia + Eric | Future Perfect

Wes Bell: Snag

Sidney and Gertrude Zack Gallery

The Spirit of Will Eisner: A Retrospective

Northwest Museum of Cartoon Arts

Erika James: In The Quiet

Waterstone Gallery

Eva Isaksen: Drawn To Line

Foster/White Gallery

Emily Filler | Deconstructed Bouquets

Newzones

Gerri York: A Wolf is not a Dog

THIS Gallery

Lawrence Paul Yuxweluptun Lets’lo:tseltun: Floor Opener

Kelowna Art Gallery

Nelly-Eve Rajotte: Trees Communicate with Each Other at 220 Hertz

Contemporary Calgary

The Pit: Nasim Pirhadi

Kamloops Art Gallery

Romanian Folk Pottery

Maryhill Museum of Art

Sense of Place: Group Exhibition

Elizabeth Leach Gallery

Jane Adams: Soundscapes

Ferry Building Gallery

Amy Loewan: Sanctuary

Art Gallery of Alberta
Gorge
Art Vancouver 2026
Sooke Fine Arts Show
Error, no Advert ID set! Check your syntax!

Al Dixon, Defiant, photograph taken along the shoreline of the Salton Sea at Bombay Beach, February 2025. Photographed on Nikon Z8. Congratulations Al Dixon! Winner, 2026 InFocus Photo Landscape Award Co-sponsored by PREVIEW.


We respectfully acknowledge that Preview is published on the ancestral and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations.


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Apr 14

Open
See it before it ends! Only until Apr 27, at the Audain Museum, Whistler, BC, INTO THE WOSK COLLECTION: DISCOVERY AND WONDER.⁠
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This rare glimpse into the expansive collection of Dr. Yosef Wosk, shaped by curiosity, intellect and a lifelong commitment to art. Bringing together photographs, etchings, prints and works on paper, the exhibition features artists including Picasso, Goya, Rembrandt, Diane Arbus, Robert Frank, Berenice Abbott, and Fred Herzog.⁠
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Curated by Adad Hannah and Kiriko Watanabe, the exhibition frames collecting as a way of seeing—an intimate conversation across centuries, media and sensibilities.⁠
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Image: Fred Herzog, North Vancouver, 1958, inkjet print.Collection of Dr. Yosef Wosk.⁠
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#YosefWosk #CapturePhotographyFestival #ArtCollection

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Apr 13

Open
REMEMBERING TOM PROCHASKA, 1945–2026 runs to May 2 at Froelick Gallery (@froelick_gallery), Portland OR.⁠
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This survey exhibition and tribute honours the life and work of Tom Prochaska, a beloved Portland artist whose paintings, prints, drawings, and sculptural experiments shaped the region’s visual culture for decades. Known for his ragged figures, shifting spaces, and singular sensibility, Prochaska moved fluidly between the intimate and the uncanny.⁠
A survey exhibition at Froelick Gallery offers a chance to revisit a deeply influential practice—and to celebrate a life devoted to making.⁠
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Image: Tom Prochaska. Courtesy of Froelick Gallery.⁠
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#TomProchaska #PortlandArt #InMemoriam #PacificNorthwestArt #ArtistTribute #TomProchaska

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Apr 12

Open
ACTION HERO & MIA + ERIC | FUTURE PERFECT⁠
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To Apr 30 at Southern Alberta Art Gallery (off-site) (@thesaag), Lethbridge AB.⁠
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FUTURE PERFECT transforms the language of civic bylaws into speculative poetry. Created by artist duos Action Hero and Mia + Eric, this collaborative project cuts, rearranges, and reimagines official text into new rules for a possible future—then returns them to public space on construction walls and billboards across Lethbridge.⁠
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Playful, political, and sharply observant, the work asks how language shapes movement, behaviour, and belonging in the city.⁠
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Image: Action Hero & Mia + Eric, Future Perfect, presented as part of SummerWorks and ArtworxTO, 2022. Photo: Kort Woycheshin Photo.⁠
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#LethbridgeArt #PublicArt #TextArt #ContemporaryArt

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Apr 11

Open
Showing at THIS Gallery (@this_______________________), Vancouver, to Apr 12.⁠
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GERRI YORK: A WOLF IS NOT A DOG moves fluidly between photography, sculpture, and transformation. Beginning in the darkroom, York folds photographic paper into small sculptural forms, exposes them under an enlarger, then unfolds, enlarges, and reconstructs them into larger-scale objects.⁠
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The result is a striking meditation on instability: image becomes object, human becomes animal, and the organic slips into the artificial. Process is central here, but so is the unsettling beauty of forms that refuse to stay fixed. Part of the 2026 Capture Photography Festival.⁠
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Image: Gerri York, A Wolf is not a Dog, from the A Wolf is not a Dog series, 2023–25.⁠
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@geraldineyork⁠
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#VancouverArt #CapturePhotographyFestival #PhotoBasedArt #ContemporaryArt⁠

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Apr 5

Open
From Apr 1–May 3, at Waterstone Gallery(@waterstonegallery), Portland OR, ERIKA JAMES: IN THE QUIET.⁠
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In her new encaustic paintings, Erika James turns close observation into atmosphere. Beaches, trails, and familiar landscapes become dreamlike spaces shaped by light, shadow, and fog—places where stillness and movement coexist.⁠
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These works invite slower looking and quieter attention, offering painting as a form of shelter from the relentless pace of contemporary life.⁠
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Image: Erika James, Whole of the Sky, 2026.⁠
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@erika_james_art⁠
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#PortlandArt #EncausticPainting #LandscapeArt #ContemporaryPainting⁠

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Apr 4

Open
See NELLY-EVE RAJOTTE: TREES COMMUNICATE WITH EACH OTHER AT 220 HERTZ at Contemporary Calgary (@contemporarycalgary), until Apr 19.⁠
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Nelly-Eve Rajotte’s immersive multimedia installation invites viewers into a space of contemplation shaped by living systems, sound, and technological mediation. By connecting a living tree to a modular synthesizer, Rajotte generates moving image, audio, and sensory responses that ask how humans might listen differently to forests—and to one another.⁠
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At once poetic and urgent, the work explores ecological fragility, climate grief, and the possibility of technological memory as witness.⁠
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Image: Nelly-Eve Rajotte, Trees communicate with each other at 220 hertz, installation view. Photo: Blaine Campbell.⁠
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@nellyeverajotte⁠
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#CalgaryArt #InstallationArt #EcoArt #ContemporaryArt⁠

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Apr 3

Open
At Xchanges Gallery (@xchangesartists), Victoria BC, from April 4–19. ⁠
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INTO THE FOLD brings together Jessie Demers, Beth Kope, and Victoria Edgarr of the Adoptee Artists Collective in a thoughtful exploration of adoption, identity, inheritance and belonging. Through drawing, sculpture, and interactive forms, the exhibition reflects on adoption as both lived experience and layered history.⁠
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The title gestures toward being welcomed into family, while also acknowledging what remains hidden within personal and ancestral narratives. Tender, complex, and deeply resonant, Into the Fold creates space for conversations too often left unspoken.⁠
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@jessie.n.demers @victoriaedgarr @adopteeartistscollective⁠
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Image: Victoria Edgarr, Double Doll; Beth Kope, unnamed; & Jessie Demers, Study in Attachment 1.⁠
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#VictoriaArt #ContemporaryArt #CanadianArtists⁠

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Apr 1

Open
On our cover for Apr-May! ⁠
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LAUREN BOILINI: CELESTIAL NAVIGATION, on view at the San Juan Museum of Art (@sji.museum.of.art), Friday Harbor, through June 1.⁠
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This striking series of large-scale oil on linen paintings explore the many forms and meanings of flight. From birds and insects to feathers and atmospheric movement, it traces flight not only as physical action, but as symbol, sensation, and visual language.⁠
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Across the works, Boilini moves between the literal and the evocative. In "Easy on the Eyes", a swirling cluster of seemingly flightless turkeys becomes unexpectedly dynamic, their movement and color suggesting lift and motion despite their grounded bodies. By contrast, "Easy, Tiger" stages exotic birds in an upward formation that reads almost architecturally—its vertical structure reaching toward a textured ochre sun, where ascent feels suspended between motion and stillness.⁠
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This exhibition invites viewers to consider flight as both natural phenomenon and metaphor: a way of thinking about transformation, perception, and the space between earth and sky.⁠
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Cover image: Lauren Boilini, Easy, Tiger (detail), 2025, oil on linen. Photo: Courtesy of San Juan Islands Museum of Art. In Lauren Boilini: Celestial Navigation, San Juan Islands Museum of Art, Friday Harbor.⁠
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@laurenboilini⁠
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#FridayHarbor #ContemporaryPainting #OilPainting⁠

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Mar 24

Open
On now at Whatcom Museum (@whatcom_museum), PERSONAL TO POLITICAL: CELEBRATING THE AFRICAN AMERICAN ARTISTS OF PAULSON FONTAINE PRESS⁠
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This nationally touring exhibition featuring works by 17 African American artists whose practices are helping to shape and redefine the contemporary art world.⁠
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Bringing together a dynamic range of voices, the exhibition highlights the power of printmaking and its expanded possibilities while foregrounding artists whose work moves between the intimate and the urgent, the personal and the political. Unique to this presentation is the inclusion of a Gee’s Bend quilt by Louisiana Bendolph and large-scale paintings by Lonnie Holley, courtesy of Elizabeth Leach Gallery in Portland—special additions that deepen the exhibition’s dialogue across mediums, histories, and generations.⁠
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Organized by Bedford Gallery in Walnut Creek, California, this exhibition offers an important opportunity to engage with artists whose work speaks to identity, memory, resistance, and transformation.⁠
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#PaulsonFontainePress #AfricanAmericanArtists #ContemporaryArt

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Mar 21

Open
On now at the Museum of Vancouver (@museumofvan) THE SUITCASE PROJECT: KAYLA ISOMURA.⁠
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Kayla Isomura’s deeply affecting portrait project asks Japanese Canadians and Americans what they would pack if forcibly removed from their homes today. Rooted in the history of wartime internment, the exhibition combines portraits, video interviews, and archival materials to connect past injustices with present-day displacement and memory.⁠
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Image: Photographer Kayla Isomura posed for her own Suitcase Project portrait, February 2017.⁠
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@kaylaiso⁠
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#JapaneseCanadianHistory ⁠

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Mar 17

Open
JAAD KUUJUS: EVERYONE SAYS I LOOK LIKE MY MOTHER⁠
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Repetition as devotion. Weaving as memory. In "Everyone Says I Look Like My Mother", Jaad Kuujus (Meghann O’Brien) traces matriarchal lines through Northwest Coast weaving traditions and contemporary digital practices. Each stitch becomes an act of regeneration—returning to ancestral knowledge while imagining futures still unfolding. Moving between material and descendant works, the exhibition centres kinship, belonging, and continuity as living processes rather than fixed histories.⁠
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📍 Museum of Anthropology at UBC (@moa_ubc) | To March 29⁠
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Image: Jaad Kuujus–Meghann O’Brien with her mother, Tsamtsaka–Dixie Johnston, 1983. Photo: Dianna Hayes.⁠
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@meghaanobrien⁠
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#IndigenousWeaving #TextileArt #LivingTraditions #MOAUBC #ContemporaryIndigenousArt #WeavingAsArt⁠

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Mar 15

Open
ELISE RASMUSSEN: AN ALPINE TRILOGY is on view until Apr 12 at the Whyte Museum of the Canadian Rockies (@whytemuseum), Banff.⁠
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Bringing together three interconnected bodies of work, Elise Rasmussen re-examines alpine history, myth, and climate through a research-driven, lens-based practice. Drawing on imagery from the French and Swiss Alps, Rasmussen explores how mountains have been sites of conquest, scientific inquiry, nostalgia, tourism, and healing. ⁠
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The exhibition considers early attempts to measure the sky, the symbolic weight of the colour blue, and historical climate disruption—revealing how our idealized visions of mountains are shaped as much by culture as by geology.⁠
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Image: Elise Rasmussen, still from The Year Without a Summer, 2020,⁠
video still.⁠
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@eliseseye⁠
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 #ContemporaryPhotography #CanadianArt

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Mar 13

Open
ERIC-PAUL RIEGE: ojo|-|ólǫ́ expands weaving beyond object into action, performance, and environment. ⁠
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Large-scale soft sculptures reshape the gallery into a living space—one that challenges Western ideas of authenticity, permanence, and value. Drawing from Diné traditions while refusing containment, Riege’s practice is both deeply rooted and radically contemporary. The result is an immersive encounter that insists tradition is not static, but dynamic and alive.⁠
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Opening TOMORROW (Mar 14) and on until Oct 25 at the 📍 Henry Art Gallery (@henryartgallery), Seattle.⁠
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Image: Eric-Paul Riege, ojo|-|ól at The Bell, Brown University, 2025, installation view. Photo: Julia Featheringill. Courtesy of The Bell / Brown Arts Institute.⁠
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@ericpaulriege⁠
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#TextileInstallation #IndigenousContemporaryArt ⁠

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Mar 13

Open
To May 31 at the Kelowna Art Gallery (@kelownaartgallery)THE TREE PLANTERS: RITA LEISTNER.⁠
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Tree planting is gruelling, repetitive, and largely unseen labour—and Rita Leistner brings it into sharp focus. "The Tree Planters" presents large-scale photographic portraits of contemporary planters, capturing the physical toll, quiet resilience, and deep connection to land that defines the work. Leistner’s images honour bodies in motion and moments of stillness, revealing a workforce that plays a crucial role in shaping ecological futures. These are not romantic landscapes, but portraits of commitment and endurance.⁠
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Image: Rita Leistner, Sally Enns, 2017, pigment print on Hahnemühle Photo⁠
Silk Baryta Paper fl ush mounted to Aluminum Composite Panel. Courtesy of Rita Leistner / Stephen Bulger Gallery. © Rita Leistner.⁠
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@ritaleistner⁠
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#CanadianPhotographers #PortraitPhotography #TreePlanters ⁠

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Mar 11

Open
CLAUDE ZERVAS: POND WATER is on view to Mar 21 at Western Gallery, Western Washington University (@westernwashingtonuniversity), Bellingham.⁠
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Blending digital processes with traditional materials like paint and wood, the exhibition explores how nature is increasingly filtered through technological lenses. Suggesting imagery of tree rings, algae, and water ripples, the exhibition expands on Zervas’s long-standing interest in mediated landscapes. Shown alongside his permanent video installation Nooksack Middle Fork, the work invites reflection on perception, ecology, and digital translation.⁠
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Image: Claude Zervas, North Fire, 2025. Collection of the artist. Courtesy of Greg Kucera Gallery, Seattle.⁠
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@clzerv⁠
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 #ContemporaryArt #PacificNorthwest⁠

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Mar 8

Open
What does it mean to collaborate with the environment rather than depict it? PAUL WALDE: WEATHER CONDITIONS transforms past performances—swimming lakes, carrying clouds, engaging with wind and water—into an immersive installation that honours ecological systems and artistic lineage. The exhibition pays homage to artists who shaped environmental art in the 1970s while grounding the work firmly in the urgencies of the present. Sound, image, and gesture converge in a meditation on climate, care, and attention.⁠
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Through April 11 at 📍 UVic Legacy Art Gallery Downtown (@uviclegacygalleries).⁠
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@paulwalde⁠
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Image: Paul Walde, Of Weather (for Geoff Hendricks), 2018. Photo: Laura Gildner.⁠
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#EnvironmentalArt #PerformanceArt #CanadianArtists

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Mar 7

Open
NANCY VALLADARES: IMAGE METABOLISMS at the Southern Alberta Art Gallery (@thesaag), Lethbridge. On view to Mar 28.⁠
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Nancy Valladares’s first solo exhibition traces unexpected links between photography, fossil fuels, and extraction. Framing coal as “buried sunshine,” it reveals how ancient plant life—compressed through time, heat, and pressure—underpins both industrial economies and photographic processes. Working with materials such as bitumen, asphalt, metal plates, soil, sound, and lavender oil, Valladares exposes the chemical, corporate, and colonial systems that quietly shape visual culture. Referencing early heliography alongside Alberta’s history of coal extraction, the exhibition asks us to reconsider image-making as an act bound to combustion, labour, and erasure.⁠
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Image: Nancy Valladares, film still from Image Metabolisms, 2025. Courtesy of the artist.⁠
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#NancyValladares #CanadianArt ⁠

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Mar 6

Open
THE ONE-TWO PUNCH: 100 YEARS OF ROBERT COLESCOTT marks the centennial of the artist’s birth, tracing his bold reimagining of history painting through satire and subversion. Colescott’s work confronts racism, mythology, and power head-on, refusing neutrality or comfort. A necessary, exhilarating survey of an artist who reshaped what painting could say—and who it could speak to.⁠
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Robert Colescott didn’t just critique art history—he dismantled it with humour, colour, and sharp cultural insight. ⁠
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See it at 📍 Tacoma Art Museum (@tacomaartmuseum) to March 29⁠
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Image: Robert Colescott, Self Portrait—Paris, 1949–50, crayon on paper. Collection of the Jordan Schnitzer Family Foundation.⁠
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#RobertColescott⁠

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Mar 5

Open
At Hallie Ford Museum of Art (@hallieford_museum) to Mar 21, D.E. MAY: POSTCARDS FROM ISLANDSALEM.⁠
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Self-taught and fiercely independent, D.E. May built a world from found materials, handwritten notes, and deeply personal symbolism. "Postcards from Islandsalem" offers a rare retrospective of an artist whose work resists easy categorization, rooted instead in labour, place, and lived experience. This exhibition honours a practice shaped outside institutions—one that speaks quietly but insistently about creativity, survival, and the poetry of the everyday.⁠
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Image: D.E. May, Untitled, 1997, mixed media. Hallie Ford Museum of Art, Willamette University, Maribeth Collins Art Acquisition Fund, 2001.029.001. Photo: Frank Miller.⁠
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#DEMay #SelfTaughtArtist #OutsiderArt #AssemblageArt #ArtistRetrospective #FoundMaterials⁠

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Mar 4

Open
YONGZHEN LI: STRUCTURES OF THE UNSAID explores what remains unspoken: silence shaped by patriarchy, internalized violence, and emotional restraint. ⁠
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Working primarily in ink, Li's paintings are restrained yet charged, balancing delicacy with psychological weight. Negative space becomes as important as mark-making, allowing absence to speak. Structures of the Unsaid is an intimate, quietly powerful exhibition that lingers long after viewing—asking us to consider what we carry, suppress, and survive.⁠
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 At 📍Sidney and Gertrude Zack Gallery (@jccgv) | March 4–April 13⁠
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Image: Yongzhen Li, Betrayed Him and the Fate of Becoming Him,⁠
2024, rice paper, ink mugwort. Photo: Jiamin.⁠
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@art.yongzhen⁠
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#InkPainting #ContemporaryDrawing⁠
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Preview Art Magazine Art and Gallery Listings: Apr - May 2026 Issue
Apr - May 2026
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