Preview Art Magazine June - August 2026
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Preview Art Magazine Art and Gallery Listings: Jun - Aug 2026 Issue

Current Issue: Jun - Aug 2026

Preview Art Magazine

The trusted guide to galleries and museums throughout the Pacific Northwest.

This year we celebrate 40 years of Preview

Runway to Runway: Styles and Stories of Flight Attendant Fashions

Runway to Runway: Styles and Stories of Flight Attendant Fashions

The Museum of Flight, Seattle, WA - To Jan 18, 2027

by Lisa Kinoshita

Today’s traveler may imagine “the golden age of flying” (1960s–70s) as an almost mythological era of aviation (Beluga caviar in ice swans! Spiral staircase to the top-deck cocktail lounge! Fashion shows at 30,000 feet! More leg room!). While Pan Am and TWA topped the pantheon of great airlines, it was the stylish, picture-perfect stewardess (as they were then called) that carried the industry’s glamorous image. Runway to Runway, at the Museum of Flight, explores how airline fashion followed the narrative of social change during the postwar boom. The exhibition features 100 artifacts, including uniforms and accessories by international couturiers such as Valentino, Pucci, Edith Head and Luly Yang. Styles range from classic tailoring to Star Trek–worthy paper dresses and go-go boots. Destination themes include a... Read More
Jess Lincoln: Peony Room

Jess Lincoln: Peony Room

Art Gallery of St. Albert, St. Albert, AB - July 24 – Aug 29

by Lissa Robinson

Whether it be lavish interiors or mundane tasks, artists have long explored domesticity as a profoundly captivating subject. Home can be a refuge for some, a place to flee or a distant dream for others. During COVID, the world experienced a total disruption of normalcy: the lines between work and home became blurred, our daily lives fraught with uncertainty and vulnerability. It is within this context that Jess Lincoln’s exhibition, Peony Room, unfolds as an intimate yet exquisitely detailed meditation on home, memory and belonging. Begun during the pandemic, she transformed her dining room into a fully immersive, single artwork that covers the space floor to ceiling, surrounding viewers in a continuous visual narrative. In doing so, Lincoln positions the domestic as a site of... Read More
How We Show Up

How We Show Up

Oregon Jewish Museum and Center for Holocaust Education, Portland, OR - June 28 – Nov 29

by Joseph Gallivan

How We Show Up: An America 250 Exhibition explores the ways Jewish Oregonians have participated in public life, tracing a long tradition of civic engagement shaped by leadership, service and advocacy. The exhibition spans Jewish civic life in Oregon from roughly the 1840s through the early 21st century and deliberately reaches beyond Portland, although the city features prominently as the historic center of Oregon Jewish life. Rather than spotlighting lesser-known figures, the exhibition focuses on prominent individuals who shaped Oregon’s history, among them Bernard Goldsmith (Portland’s first Jewish mayor), US Senator Ron Wyden, politicians Julius Meier, Vera Katz, Suzanne Bonamici, Ellen Rosenblum, Richard Neuberger, and Judge Gus Solomon. The show is organized into three thematic sections: leadership, service and advocacy. It presents a mix of... Read More
Desirée Patterson: Interglacial

Desirée Patterson: Interglacial

The Reach Gallery Museum, Abbotsford, BC - June 27, 2026 – March 20, 2027

by Michael Turner

Desirée Patterson is a self-taught multidisciplinary artist and environmentalist born and raised in the Lower Mainland who now makes her home in Vancouver. The title of her current exhibition, Interglacial, refers to the 10,000- to 20,000-year warm spans that occur between ice ages—a scientific fact that has stood the test of time, but one that many in the scientific community now refer to as a potentially interminable condition, given the rise in global temperatures and our incessant burning of fossil fuels. Interglacial comprises five works, including its centrepiece, Still in Place (2025), a monumental textile and sound installation Patterson developed with earth science professor Brian Menounos in Pemberton last fall. Spanning 60 feet, Still in Place consists of 90 cyanotype panels exposed directly on the... Read More

Features

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Jess Lincoln: Peony Room

Art Gallery of St. Albert

Light Through Scars

Penticton Art Gallery

Runway to Runway: Styles and Stories of Flight Attendant Fashions

The Museum of Flight

How We Show Up

Oregon Jewish Museum and Center for Holocaust Education

Desirée Patterson: Interglacial

The Reach Gallery Museum

Cameron Kerr: Collecting the Unconscious

Griffin Art Projects

As waters merge–swaying waves beckoning us closer

Art Gallery of Greater Victoria

Douglas Watt: Mayor of the Village

Contemporary Art Gallery

Beyond Mysticism: The Modern Northwest

Seattle Art Museum

Return to Paueru Gai: 50 Years of Powell Street Festival

Nikkei National Museum & Cultural Centre

Becoming: The Art of Gu Xiong

Museum of Vancouver

I Use My Haida Eyes: The History Robes of Jut-ke-Nay–Hazel Wilson

Museum of Anthropology at UBC

Highlights

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Footsteps Through Time: Human Journeys on the Land

Canmore Museum

Emergence 2026: Setting the Barometer

Vernon Public Art Gallery

Luminous Glow: The Neon Landscapes of Kelsey Fernkopf

Whatcom Museum

The Price of the Ticket: 2026 Oregon Contemporary Artists’ Biennial

Oregon Contemporary

Kaaganhlxa—Home Safe

Haida Gwaii Museum at Ḵay Llnagaay

Cheryl L’hirondelle: Where the Voice Touches (((Acts, Utterances, Tr...

Walter Phillips Gallery

Thick as Thieves

Whyte Museum of the Canadian Rockies

Rosamunde Bordo: Magic Show

Western Front

Michelle Muldrow: The Roiling Sea

Imogen Gallery

An Animated Assembly

Nanaimo Art Gallery

Into the Garden | Jing Xia

North Van Arts District Foyer Gallery

Keerat Kaur: If Gardens Could Dream

Surrey Art Gallery

Weaving Home: Carpets of SW Iran

Nickle Galleries

Iron & Honor: The Art of Knighthood

Northwest Museum of Arts & Culture

Min Joyce Abraham: Spirit of Spring

Place des Arts

Anna Semenoff | In Response

Grand Forks Art Gallery

Field Notes

Port Angeles Fine Arts Center & Webster's Woods Sculpture Park

Portland Arts Week: Art & Sports

Exquisite Creatures

Astoria Open Studios Tour

Kaleidoscopia: Work by Brielle Lefebvre and Jason Breeden

The Dalles Art Center
Columbia Basin
Sooke New 2026
Queer Arts Fest
Railtown

We respectfully acknowledge that Preview is published on the ancestral and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations.


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May 31

Open
A landmark of colour photography arrives in Vancouver! ⁠
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STEPHEN SHORE: UNCOMMON PLACES at the Vancouver Art Gallery (@vanartgallery), Vancouver BC, on now. ⁠
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This exhibition presents one of the most influential photographic series of the late 20th century, created across road trips through the US and Canada between 1973 and 1981. Motels, intersections, gas stations and sidewalks become quietly monumental through Shore’s precise attention to light, colour and composition.⁠
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Presented within "Highlights from the Collection", it shows why Uncommon Places remains so vital: it transformed the everyday into something luminous, shaping how generations of artists have looked at streets, cities and passing moments.⁠
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Image: Stephen Shore, King Street, Hamilton, Ontario, August 9, 1974,⁠
1974 (printed 2013–14), chromogenic print. Collection of the⁠
Vancouver Art Gallery, Gift of the Chan Family, VAG 2023.11.133.⁠
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@stephen.shore⁠
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#CapturePhotographyFestival #PhotographyExhibition #VancouverArt #stephenshore⁠

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May 30

Open
EVERY RIVER HAS A MOUTH brings together the work of 11 Salish artists from the Coast and Interior of British Columbia in a powerful exhibition about connection—between communities, visual languages, and living traditions. Through weaving, fish skin, tule reeds, printmaking and painting, the exhibition explores how art carries memory, knowledge and kinship across generations.⁠
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Guest curated by Kwulasultun Eliot White-Hill, this rare gathering honours the Stó:lō (Fraser River) as a site of relation and exchange, while celebrating the enduring strength and diversity of Salish artistic practices.⁠
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On now at Bill Reid Gallery of Northwest Coast Art (@billreidgallery), Vancouver BC.⁠
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Image: beadsTaylor Baptiste, Continuum, 2025, Möbius strip made from tule reeds and natural-fibre cords.⁠
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#SalishArt #IndigenousArt #ContemporaryIndigenousArt⁠

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May 29

Open
To Jun 14 at Gibson Art Museum (@gibson_sfu), Simon Fraser University, Burnaby BC, HANNAH RICKARDS: I AM THE INFANT AND I AM THE BIRD⁠
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In this exhibition, perception becomes intimate, unstable, and quietly uncanny. Known for probing the limits of language and interpretation, Rickards uses video and sound to create a space where meaning slips just out of reach. Thoughtful and immersive, it is a meditation on how we experience the world—and how fragile that experience can be.⁠
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Image: Hannah Rickards, Topazes and jacobins, hermits, mangoes,⁠
coquettes, giant, mountain gems, bees and emeralds (A),⁠
2025, video still, single-channel video with sound. Courtesy of the artist.⁠
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#ContemporaryArt #VideoArt #BurnabyArt⁠

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May 28

Open
Art Vancouver (@artvancouver) is where creativity, culture, and contemporary art come together. ⁠
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Get ready for 2026, starting tomorrow -- at the Vancouver Convention Centre from May 28–31!⁠
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Bringing together galleries, artists, collectors, and art lovers from across Canada and around the world, Art Vancouver celebrates innovation, connection, and artistic expression in all its forms. 🌎✨⁠
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From emerging talent to internationally recognized artists, the fair offers an inspiring experience filled with contemporary works, live art, installations, and creative conversations.⁠
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Discover new perspectives, connect with the global art community, and experience the energy of one of Canada’s premier international art fairs.⁠
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#ArtVancouver #ContemporaryArt #ArtFair #VancouverArt #CanadianArt ⁠

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May 27

Open
ROMANIAN FOLK POTTERY at the Maryhill Museum of Art (@maryhillmuseum), Goldendale WA , on now!⁠
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This remarkable exhibition celebrates the centennial of Queen Marie of Romania’s 1926 visit to Maryhill Museum of Art, drawing from her historic gift of ceramics to the museum alongside works from Horezu.⁠
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Richly decorated with flowers, animals, and insects, these vessels carry both regional craft histories and a singular cross-cultural story. Together, they form the largest collection of Romanian folk pottery outside Romania—an exhibition as beautiful as it is unexpected.⁠
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Image: Unidentified artists (Romanian, active early 20th century), Romanian folk pottery, c. 1925Gift of Marie, Queen of Romania,Collection of Maryhill Museum of Art.⁠
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#RomanianFolkPottery #CeramicsExhibition #FolkArt

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May 22

Open
After two years in the making, Vapes & Butts is on now at Gallery 881 (@gallery881_), located at 881 E Hastings St, Vancouver. ⁠
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Catch the 🎤 Artist Talk tomorrow, May 23, 2–3 PM.⁠
The exhibition runs to Jun 6. ⁠
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This solo exhibition by Michelle Leone Huisman brings together 22 handcrafted photographic works created using palladium and gum bichromate printing processes. Built from discarded cigarette butts, vape pods, and joints collected from Vancouver streets, the series reflects on consumption, habit, permanence,and what we leave behind.⁠
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Balancing contemporary subject matter with historical photographic techniques, the work continues a dialogue inspired by the legacy of Irving Penn while transforming forgotten materials into carefully constructed, lasting images.⁠
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The exhibition will also feature an Artist Proof book developed alongside the series.⁠
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All works will be available for purchase. Visitors are warmly invited to experience the exhibition throughout its run.⁠
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@miche.lleleone⁠
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#ContemporaryPhotography #VancouverArt #FineArtPhotography #PalladiumPrint #GumBichromate #ContemporaryArt⁠

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May 19

Open
THE PIT: NASIM PIRHADI⁠
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Nasim Pirhadi transforms the Kamloops Art Gallery’s Cube into a zurkhaneh—a traditional Persian “house of strength.” But unlike the historically restricted spaces that exclude women and non-Muslims, The Pit is open to everyone, reimagining the gym as a site of inclusion, resistance, and reflection.⁠
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By shifting the cultural framework of the zurkhaneh, Pirhadi creates an installation that is both physically charged and conceptually precise. The Pit asks how strength is defined, who is invited in, and how art can reshape inherited structures.⁠
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See the show at the Kamloops Art Gallery (@kamloopsartgallery), Kamloops BC, from May 16–Sep 5.⁠
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Image: Nasim Pirhadi, Meel Geraftan (Meel Exercise), 2025. Courtesy of the artist.⁠
⁠
@nasim.pirhadi⁠
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#NasimPirhadi #KamloopsArtGallery #KamloopsArt #InstallationArt #ContemporaryArt #ThePit⁠

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May 14

Open
LAWRENCE PAUL YUXWELUPTUN LETS’LO:TSELTUN: FLOOR OPENER, showing until May 31 at the Kelowna Art Gallery (@kelownaartgallery).⁠
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A leading force in contemporary Indigenous painting in Canada, Lawrence Paul Yuxweluptun Lets’lo:tseltun continues to merge art and activism with unmistakable force. Floor Opener brings together large-scale, mythic paintings that confront ecological devastation, colonial violence, and the urgency of Indigenous sovereignty.⁠
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In recent works, fire becomes both subject and gesture—brushstroke and flame collapsing into one. The result is a body of work that is visually electrifying and politically uncompromising, reminding us that painting can still be a site of reckoning.⁠
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Image: Lawrence Paul Yuxweluptun Lets’lo:tseltun, Wild Fire Storm, 2024. Courtesy of Macaulay + Co. and the artist. Photo: Byron Dau.⁠
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yuxweluptun⁠
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#IndigenousArt #ContemporaryPainting ⁠

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May 13

Open
In KAREN ZALAMEA: EVERY SURFACE IS A SHRINE, photography becomes a site of memory, touch, and diasporic connection. Rooted in the artist’s ongoing Sunken Garden project, the exhibition transforms the family home in Quezon City into a living archive where images and objects hold traces of migration and kinship.⁠
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Hand-woven photographic ropes, reworked family imagery, and tactile materials speak to what Zalamea calls “trans-Pacific kinwork.” Tender and formally precise, the exhibition asks how memory lives in matter—and how care can bridge distance and time.⁠
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See it at the Art Gallery at Evergreen Cultural Centre (@evergreenarts), Coquitlam BC, until May 24.⁠
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Image: Karen Zalamea, Herbarium (after Flora de Filipinas), 2024–25, cyanotype on watercolour paper. Courtesy of the artist.⁠
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@karenzalamea⁠
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#fineartphotography

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May 13

Open
At Cascadia Art Museum (@cascadiaartmuseum), Edmonds WA, to Aug 17⁠
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ETERNAL FORMS: EVERETT DUPEN highlights the work of a significant Northwest sculptor whose practice brought elegance, monumentality, and quiet strength to wood, bronze, and stone. Known for forms that feel both organic and architectural, DuPen’s sculptures balance weight and movement with remarkable sensitivity.⁠
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This exhibition offers a thoughtful look at an artist deeply rooted in the Pacific Northwest, whose work bridges modernist restraint and a profound attentiveness to material. Eternal Forms is both a rediscovery and a tribute to the enduring resonance of sculptural form.⁠
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Image: Everett DuPen building the armature for the enlargement of his sculpture The Eternal Struggle, Yale, c. 1936.⁠
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#EverettDuPen #SculptureExhibition #ModernistSculpture

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May 10

Open
THE SPIRIT OF WILL EISNER: A RETROSPECTIVE⁠
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This retrospective at Portland’s new Northwest Museum of Cartoon Arts (@nwmoca) traces the brilliant arc of Will Eisner’s career, from his groundbreaking newspaper series The Spirit to the innovations that helped define the graphic novel.⁠
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Featuring reproductions that reveal his drawing, colour, and compositional methods, the exhibition honours an artist who expanded the visual and narrative possibilities of comics—and whose influence continues to shape the field.⁠
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The exhibition is up until Jun 23!⁠
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Image: Exhibition poster.⁠
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#WillEisner #NWMOCA #PortlandArt #ComicsArt #GraphicNovel #IllustrationExhibition⁠

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May 9

Open
LAUREN BOILINI: CELESTIAL NAVIGATION is on view at San Juan Islands Museum of Art (@sji.museum.of.art0, Friday Harbor WA to To Jun 1.⁠
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Lauren Boilini’s large-scale oil paintings explore flight in all its forms—from birds and insects to feathers, motion, and atmospheric drift. Across these works, movement becomes both subject and sensation, with swirling colour and unexpected forms creating a sense of lift, suspension, and unease.⁠
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This work offers a vivid meditation on instinct, migration, and the strange poetry of ascent.⁠
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Image: Lauren Boilini, Easy on the Eyes, 2025.⁠
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@laurenboilini⁠
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#oilpainting #sanjuanislands

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May 7

Open
TANIA WILLARD: PHOTOLITHICS is on view at The Polygon Gallery (@polygongallery), North Vancouver BC — To May 24⁠
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This 10-year survey of Tania Willard’s work explores photography through land, language, and relational knowledge. A Secwépemc and settler-Scottish artist, Willard expands the medium beyond the camera, returning to its elemental foundations—light, stone, surface, and time.⁠
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"Photolithics" gathers both recent and existing works to show how photography can be understood not only as image-making, but as a deeper engagement with place and material memory. Rigorous and expansive, the exhibition affirms Willard’s singular contribution to contemporary art and to the evolving language of photography. Part of the 2026 Capture Photography Festival.⁠
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Image: Tania Willard, Anthro(a)pologizing, 2018, Collection of First Peoples’ Heritage, Language and Culture Council.⁠
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willardart⁠
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#CapturePhotographyFestival #ContemporaryPhotography #IndigenousArt⁠
⁠

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May 7

Open
At Blue Sky Gallery (@blueskygallerypdx), Portland OR — May 7-30⁠
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BLUE SKY 50 YEARS ANNIVERSARY EXHIBITION: 2005 – 2015 ⁠
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The fourth in Blue Sky’s five-part anniversary series revisits a decade of photography through the lens of both history and return. Artists from the 2005–2015 period present earlier work alongside new pieces, creating a compelling dialogue between past and present.⁠
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Less nostalgic than revelatory, this exhibition underscores how recent photographic practices continue to resonate—technically, conceptually, and emotionally.⁠
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Image: Greta Pratt, Christine, 2010.⁠
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#PortlandPhotography #PhotographyExhibition #ContemporaryPhotography #PortlandArt

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May 5

Open
MONTRÉAL CHINOIS: THE LOST DECADES / LES DÉCENNIES PERDUES brings overdue attention to a vital chapter in Chinese Canadian history. ⁠
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Drawn from the McCord Stewart Museum collection, the exhibition presents photographs from the 1940s to the 1960s by Arthur Lee, Samuel Lee, Peter Wong, Chuck Yip, and Chong Hong Ho.⁠
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These self-made images document family, friendship, leisure, migration and community. The result is a moving portrait of everyday life, resilience and belonging.⁠
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At the Chinese Canadian Museum (@ccmuseumbc), Vancouver BC, only to May 10!⁠
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#MontrealChinois #ChineseCanadianHistory #CapturePhotographyFestival⁠

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May 4

Open
JANE ADAMS: SOUNDSCAPES brings painting into dialogue with music, memory, and domestic intimacy. ⁠
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Inspired in part by her years of collaboration with her mother, the celebrated composer Jean Coulthard, Adams creates works that translate musical structure into visual form.⁠
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Paintings such as "Image Astrale I and Image Astrale II", named after Coulthard’s piano compositions, suggest a lyrical equivalence between tone clusters and mandala-like abstraction. The result is a tender and sophisticated exhibition where colour, rhythm, and family history converge.⁠
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From May 6-31 at Ferry Building Gallery (@ferrybuildinggallery), West Vancouver.⁠
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Image: Jane Adams, Image Astrale l, 2024. Courtesy of the artist.⁠
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@janeycadams⁠
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#PaintingExhibition #AbstractArt #ContemporaryPainting⁠

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May 3

Open
From May 8-Jun 20 at Harcourt House (@harcourt_house), Edmonton, ABSTRACTION NOW – HARCOURT’S PRACTITIONERS OF ABSTRACT ART + GUEST ARTISTS celebrates 120 years of abstraction.⁠
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This group exhibition brings together contemporary and senior Alberta artists in a focused look at colour-field painting, lyrical abstraction, minimalism, and formalist experimentation.⁠
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Anchored in Edmonton’s rich abstract traditions, the exhibition traces how geometric form, gesture, and saturated colour continue to evolve across generations. A compelling reminder that abstraction remains a living, local language.⁠
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Image: Darren Kooyman, Early Impressions (Deirdre #2), 2021. Courtesy of the artist.⁠
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#EdmontonArt #AbstractArt #CanadianArt #ArtistRunCentre

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May 2

Open
EMILY FILLER | DECONSTRUCTED BOUQUETS features work from Toronto artist Emily Filler, who turns floral imagery into a vibrant field of abstraction. Combining painting, printmaking, and photography, she builds layered compositions where memory, pattern, and colour shift between the familiar and the invented.⁠
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Flowers become points of departure rather than subject matter, dissolving into bold structures, unexpected juxtapositions, and luminous spatial play. The result is a body of work that feels both meticulous and delightfully unstable.⁠
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See the show at Newzones Gallery of Contemporary Art (@newzones), Calgary, from May 2-30.⁠
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Image: Emily Filler, Deconstructed Bouquet (Red Studio), 2026.⁠
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@emilyfiller⁠
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#ContemporaryPainting #CanadianArt⁠

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Apr 30

Open
JUNCTIONS opens May 1 at the IceBox Gallery, Railtown Studios, Vancouver.⁠
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This multi-disciplinary group exhibit features work from the artists of Railtown live/work studios. ⁠
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🎉 Public opening reception: May 1, 6-9pm, artists in attendance, all are welcome! ⁠
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🗓️ Exhibition is open to the public, Saturdays, 12-5pm for the run of the exhibition, May 2-Jun 30.⁠
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📍IceBox Gallery is located at 321 Railway Street, Vancouver. ⁠
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17 Artists exhibit their work:⁠
@jonchristianashby ⁠
@dylancramstudio⁠
@brian_cyr⁠
@galenfeldeart⁠
Kyle Ashford Foster⁠
Jon Erik Johansen⁠
Liz Locke⁠
@RMH1957⁠
@craigminiellyphoto⁠
@kurtostlund⁠
@theartsofriso⁠
Anne Marie Slater⁠
@keenantracey⁠
@gfmade_studio 
Va.Le⁠
Autumn Welychko⁠
Tonrot⁠
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Original poster design by @theartsofriso.⁠
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#vancouverartists #railtownstudios

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Apr 30

Open
In EVA ISAKSEN: DRAWN TO LINE, painted and cut-paper collages embrace abstraction through rhythm, pattern, and gesture. Inspired by winter landscapes, the new works translate the season’s quiet intensity into compositions alive with line, colour, and movement.⁠
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Elegant and precise, Isaksen’s practice demonstrates how abstraction can remain both disciplined and deeply sensuous.⁠
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Showing at Foster/White Gallery (@fosterwhitegallery), Seattle WA, May 2–23⁠
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Image: Eva Isaksen, Tangle, 2026⁠
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@eva_isaksen.art⁠
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#SeattleArt #AbstractArt #CollageArt #ContemporaryPainting
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Preview Art Magazine Art and Gallery Listings: Jun - Aug 2026 Issue
Jun - Aug 2026
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