Current Issue: Nov 2026 - Jan 2027
Preview Art Magazine
The trusted guide to galleries and museums throughout the Pacific Northwest.
Lyle Wilson: Full Circle
Inuit Gallery of Vancouver, North Vancouver, BC - Nov 7 – 27
As a genre-bending, multidisciplinary artist, Lyle Wilson has always been one to push boundaries. A Haisla carver with exception- al skills in mediums such as wood, gold, ivory and bone, Wilson also has impeccable lines as a painter and printmaker. His work pulls together elements of traditional Haisla art and more contemporary influenc- es in a style that is entirely his own. “I had a couple of Northwest Coast artists who showed me a couple of things, but I never actually mentored with anybody,” Wilson told Preview. “I’ve been picking up tips from Native artists, Chinese artists, Japanese artists, white artists—plenty of them. I just do what interests me.” Wilson’s latest exhibition at the Inuit Gallery of Vancouver, which runs through November, showcases in 52...
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Zoe Dusanne: The Art of Seeing
Cascadia Art Museum, Edmonds, WA - To Jan 3, 2027
In a fresh museum iteration of her art collection, Zoe Dusanne: The Art of Seeing at Cascadia Art Museum takes a different tack. Instead of highlighting the big-name New York and European icons of 20th-century art Dusanne brought to Seattle through her extensive personal contacts, curator David F. Martin has narrowed his focus to two other areas: unknown women artists and Japanese American artists championed by Dusanne. The results spotlight artists of the Pacific Northwest–Seattle area and bolster Dusanne’s position as the leading modern art dealer of the period, one who paid attention to local talent too. Dusanne was not the first—or last—modern art dealer in Seattle. Others were Francine Seders, Otto Seligman, Henriette Woessner and Gordon Woodside. However, her personal charisma and financial support...
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Anish Kapoor: Dissolving Margins
Jordan Schnitzer Museum of Art at Portland State University, Portland, OR - To Dec 5
British artist Anish Kapoor hit peak popularity with his sculpture Cloud Gate (2004) in Chicago’s Millennium Park, the silvery bean that is perfect for selfies, and peak controversy in 2016 when he became the only artist licensed to use the “blackest black” paint called Vantablack (since superseded). But the sculptor has a long career as a printmaker, and Jordan Schnitzer is a big collector. Anish Kapoor: Dissolving Margins, from the Collections of Jordan D. Schnitzer and His Family Foundation explores nearly four decades of Kapoor’s printmaking practice. Here you can see the editions that Schnitzer swoons over: so many mesmerizing pools of color with hard-to-define edges, which seem to breathe or vibrate. Born in 1954 in Mumbai, India, Kapoor moved to London in the early...
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Apparitions: Arturo Pianzola and Robert Pohl
Harcourt House Artist Run Centre, Edmonton, AB - Jan 15 – Feb 27, 2027
Apparitions is a five-year collaborative project by Edmonton-based photographers Arturo Pianzola and Robert Pohl. This striking exhibition features 32 hand-printed photographs that evoke a human presence without depicting people. Their collective works hold a strange kind of beauty in how the abandoned or forgotten spaces conjure ghosts in the remnants left behind. For Pianzola and Pohl, long-time collaborators and members of the Monochrome Guild—a collective focused on traditional film and printing techniques—the concept for the project emerged once they discovered a mutual interest in subjects marked by human absence. While photography is often thought of in terms of single frames or independent practices, this project shows how the most compelling imagery matures through sustained, cumulative explora- tion. Curating their archives retrospectively allowed them to discover...
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Features
Highlights
![On our cover! On view at ArtX Contemporary(@artxcontemporary) in Seattle through November 14.
FULGENCIO LAZO | ILUMINANDO CAMINOS [LIGHTING THE WAY]
Vibrant colour, rhythmic patterns and cultural memory come together in the abstract paintings of Oaxacan American artist Fulgencio Lazo. Drawing on his Zapotec heritage, Lazo creates dynamic compositions inspired by community, connection and resilience. Alongside this exhibition, his tapete installation celebrating Día de los Muertos is on view at the Seattle Art Museum (@seattleartmuseum) through January 11, 2027.
@fulgenciolazo
Image: Fulgencio Lazo, Mar de Espíritus [Sea of Spirits], 2026, acrylic on canvas. Courtesy of the artist. In Iluminando Caminos [Lighting the Way], ArtX Contemporary, Seattle.
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