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Emily Carr

Catalogue Reviews
A handful of attractive recent exhibition catalogues, as well as archived catalogue reviews.


David Buckland, Burning Ice

David Buckland, Burning Ice (2004-2005), archival inkjet print of projection on the wall of a glacier [Whatcom Museum, Bellingham WA, Nov 3-Mar 16] Courtesy of the artist

Vanishing Ice: Alpine and Polar Landscapes in Art, 1775-2012

Whatcom Museum
Bellingham WA – Nov 3-Mar 16, 2014

William Parrott, Mount Hood, Crimson Sunrise

William Parrott, Mount Hood, Crimson Sunrise (c. 1895), oil on canvas [Whatcom Museum, Bellingham WA, Nov 3-Mar 16]

This large exhibition features an international roster of artists who have documented, rendered and more recently used the frozen regions of our planet as poignant artistic subject matter. Works from over two centuries provide an insightful historical perspective of the polar regions over that time, and show how that viewpoint has shifted in the face of climate change.

Examples of pristine alpine landscapes and renditions of glacial areas from the late 18th century onward capture the sublime beauty of icy environments around the world. Illustrations from early voyages and expeditions are particularly powerful when juxtaposed with recent images that reveal rapidly retreating ice. Nineteenth-century paintings show elegant glaciers in traditionally painted landscapes (by, for example, William Bradford and Albert Beirstadt). Several paintings from the 1930s offer a more stylized vision of frozen environments in Tibet’s Himalayas, Alaska’s Resurrection Bay and elsewhere.

In contrast, the concerns of modern and contemporary artists highlight the reality of these changing regions. Satirical works function as social commentary, such as Alexis Rockman’s 2008 oil painting of Adelie penguins atop a huge block of melting ice, and Jyoti Duwadi’s art-ice installation for the museum’s grounds that was left to melt naturally. Other contemporary pieces offer a majestic perspective on the magnitude of Earth. A notable example: Lita Albuquerque’s 2006 installation Stellar Axis (photographed by Jean de Pomereu), in which the artist transformed a stark white icefield in Antarctica by placing 99 blue spheres in perfect alignment with constellations above.

Allyn Cantor

Len Jenshel, Narsaq Sound, Greenland

Len Jenshel, Narsaq Sound, Greenland (2001), C-print [Whatcom Museum, Bellingham WA, Nov 3-Mar 16] Courtesy of the artist and Joseph Bellows Gallery, La Jolla, California

Christian Houge, Winternight

Christian Houge, Winternight (2001), digital C-print [Whatcom Museum, Bellingham WA, Nov 3-Mar 16] Courtesy of the artist and Hosfelt Gallery, San Francisco and New York

Heather Ackroyd and Dan Harvey, Ice Lens, Svalbard Archipelago

Heather Ackroyd and Dan Harvey, Ice Lens, Svalbard Archipelago (2005), archival inkjet print [Whatcom Museum, Bellingham WA, Nov 3-Mar 16] Courtesy of the artists

FEATURES, NEW & OLD: Archipenko: A Modern Legacy | Yves Saint Laurent: The Perfection of Style | Tori Foster: Traces of Beings | Royal Nebeker: Dreams and Allusions / Lawrence Paul Yuxweluptun: Unceded Territories | Peter Aspell: Saints and Sinners, Mystics and Madness / The Mad Alchemist | Paradox of Place: Contemporary Korean Art | Art AIDS America | Gods and Heroes: Masterpieces from the École des Beaux-Arts, Paris | Fred Schiffer: Lives in Photos | Future Station | Jock Macdonald: Evolving Form | 2014 Bonifacho | The Art of the Louvre's Tuileries Garden | Edgardo Aragón: Ley Fuga | Vanishing Ice | Kingston Prize | Charles Edenshaw | Jillian McDonald | William Perehudoff | Rembrandt, Van Dyck, Gainsborough:The Treasures of Kenwood House, London | Carrying on Irregardless | Elles: Women Artists from the Centre Pompidou | James Nizam: Trace Heavens | Gaugin & Polynesia | Leslie Dill's Poetic Vision | Preview's 25th Anniversary in Print | The Surrealist Revolution in Art | Carl Beam | Shadows of a Fleeting World: Seattle Camera Club | Picasso: Masterpieces from the Musée National, Paris | Show of Hands: Northwest Women Artists 1880-2010 | Fleeting Beauty: Japanese Woodblock Prints | Judy Radul: World Rehearsal Court | Requiem: BY Photographers Who Died in Vietnam & Indochina | Andreas Gurksy: Werke/Works 80-08 | Chris Jordan: Running the Numbers II | Action-Camera: Beijing Performance Photography | Hiro Yamagata: T R A N S I E N T | Henk Pander: History and Typography | Mandy Greer: Dare alla Luce | Generation: Images of Youth | Rembrandt & Dutch Art's Golden Age | Seattle Art Museum at 75 | Life After Death: New Leipzig Paintings | Joanna Staniszkis: Silk City | Rodin: In His Own Words | First Nations Art: Historic to Contemporary | Maya Lin: Systematic Landscapes | Three Rivers: Wild Waters, Sacred Places | Portland Art Museum | Acting Out: Claude Cahun & Marcel Moore | Isamu Noguchi: Sculptural Design | Rhythm and Change: The Bow in Contemporary Art | Douglas Curran: The Elephant Has Four Hearts | Fay Jones: Recent Paintings | Massive Change: Bruce Mau | Web Images: Quick Guide | Treasures From the Kröller-Müller | Gerry Deiter: Give Peace a Chance | InFest: International Artist-Run Culture | Silver: Dreams, Screens & Theories | Paul Wong: COLLECT | James Turrell: Knowing Light | Joanna Staniszkis: Linen’s Edge | Daniel Joliffe/Jocelyn Robert: Ground Station | Bratsa Bonifacho: Habitat Pixel | Edouardo Kac: Contemporary Art Explores Human Genomics | Douglas Gordon at the VAG | Walk Ways Explore Body-Mind Connection

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